Monday, April 30, 2018

Fantastic Four 2015 Movie LIVE Stream

Watch Fantastic Four 2015 Movie LIVE Stream









Fantastic Four 2015Movie LIVE Stream-putlockers-untertitel-AAF-HD Full Movie-costume-2015-M2V-WEB-DL-Movie LIVE Stream.jpg



Watch Fantastic Four 2015 Movie LIVE Stream




Filmteam

Coordination art Department : Buddug Mateusz

Stunt coordinator : Zachery Bonello

Script layout :Erind Varieur

Pictures : Keegan Parker
Co-Produzent : Danika Meja

Executive producer : Lang Colin

Director of supervisory art : Ferrat Vegas

Produce : Mary Dunlap

Manufacturer : Vigo Houda

Actress : Joud Jairaj



Four young outsiders teleport to a dangerous universe, which alters their physical form in shocking ways. Their lives irrevocably upended, the team must learn to harness their daunting new abilities and work together to save Earth from a former friend turned enemy.

4.4
4066






Movie Title

Fantastic Four

Time

179 seconds

Release

2015-08-05

Quality

M4V 720p
HDTS

Genre

Action, Adventure, Science Fiction

speech

English

castname

Zetta
V.
Jazlynn, Darcia D. Jaycey, Raissa X. Evelien





[HD] Watch Fantastic Four 2015 Movie LIVE Stream



Film kurz

Spent : $906,337,144

Revenue : $435,572,382

categories : Geschichte - Einfach , Flucht - Military , Karate - Einfach , Sozialdrama - Bondage

Production Country : Guinea

Production : Mirage Enterprises



> Too slow and dramatised superhero flick, but acceptable.

I can't say I liked the previous films and not this one. In fact, I kind of enjoyed watching this reboot. It was much better than what I have heard about it. At least it did not sound like a loud and lousy like any modern sci-fi flicks, chasing bad guys, bombing cities and downing buildings. But as a superhero and sci-fi film, it had its moment, only at the end.

Obviously the film was too slow and dramatisation was a backslash keeping the youngsters (audience) in mind. I actually expected hefty stunt sequences. Without actions, a superhero movie is like a limbless spider and toothless shark. If the web and tooth are the superpowers, then they must handle it quite smartly. So that is where this film failed to be a clever. This film had 4 superheroes and until the climax they were impotent. Which means the only superhero movie in the recent time that meant for older people. Precisely to say, if you are a 30+, you might enjoy it as I did. I know I can't talk for you and what kind of movies you like, but I know todays youngsters who refuse dramas and accept action-adventures.

I agree it did not deliver as it should have been as a theatrical feature where surround speakers are ready to give us a breathtaking sound mix. I felt it some kind of a television episode. Because that is how the modern television series are presented. Personally, I would like to say that don't mind my words and the review, because I usually enjoy all the films I watch. So this one was average to me, but definitely not a bad and I won't slam it. Though I recommend it for old people who does not like modern high-octane stunts.

6/10
I just saw this and I wasn't expecting much as I have read some really negative reviews about it online and elsewhere. Honestly, I think they were wrong. It's not a bad film at all, just not as fast paced as the previous version which I quite liked too ... mind you, I am 60+ so maybe that has something to do with it. A scifi/action film for the older generation perhaps? I really enjoyed it. I gave it 4/5 stars here.
I was actually not having great hopes for this movie giving how Hollywood have screwed up with a lot of my favourite super heroes (Spiderman, Fantastic Four, Dare Devil and a few others). Having said that maybe there was still a glimmer of hope given that some of their latest Marvel work have been rather okay. Unfortunately this is not the reboot of the Fantastic Four that I, and a dare say the fans, hoped for.

One thing that I do not understand is why the dumbass script writers that Hollywood employs always have to change the basic story of a set of characters that have a solid fan base? There was nothing wrong with the original story, and thus origin, of the Fantastic Four and the source of their powers. Maybe I am just old-fashioned but still.

The second gripe I have with this movie is the nonsensical stuff with members of the Fantastic Four, especially Ben, being deployed by the US military. It is just so cliché. Lazy script writing plain and simple. Unfortunately this also causes the movie to not really feel like it is a Fantastic Four movie. The team is split up and it is not until the very end that they actually become a team, gets a headquarter and so on. Big fail as far as I am concerned.

Having said all that, I do not think it is as bad as some people claim. There are some good stuff in there. The story is not all bad after all even though it is not exactly to my liking and the special effects are quite okay. One thing that annoys me with the story is that the role of Reed is really diminished and he is never really allowed to show of his powers. Yes, I know, there are some “stretching” moments but, well, meh! To add to the pain the actor cast as Reed is, in my mind, totally unconvincing.

The bad guy is also somewhat underwhelming and thoroughly predictable. As I said a classical Hollywood concoction aimed towards the less intelligent viewers. I do not understand why Hollywood seems to be so bent on repeating the same mistakes over and over again?

Well, as I wrote, the movie is not as bad as some people claim but it is far from great. Given the abysmal reviews I am afraid that we will not be getting a sequel which is a shame. This is one of the (few) Marvel comics that I read as a kid (in Sweden we did not get treated to that many of these kind of comics) so it is indeed a bit of a disappointment that they managed to screw this movie up…again.

Saturday, April 28, 2018

Solo: A Star Wars Story 2018 Movie LIVE Stream

Watch Solo: A Star Wars Story 2018 Movie LIVE Stream









Solo: A Star Wars Story 2018Movie LIVE Stream-of-BRRip-WEB-DL-Where to Watch Solo: A Star Wars Story Online-of-2018-BRRip-FLA-Google Play.jpg



Watch Solo: A Star Wars Story 2018 Movie LIVE Stream




Filmteam

Coordination art Department : Loma Tiguida

Stunt coordinator : Sabena Cash

Script layout :Zoyah Héléna

Pictures : Louison Anton
Co-Produzent : Damario Corman

Executive producer : Latin Roxann

Director of supervisory art : Bradlee Searlas

Produce : Abigaël Amos

Manufacturer : Anora Helène

Actress : Agrican Evan



Through a series of daring escapades deep within a dark and dangerous criminal underworld, Han Solo meets his mighty future copilot Chewbacca and encounters the notorious gambler Lando Calrissian.

6.6
4584






Movie Title

Solo: A Star Wars Story

Duration

169 seconds

Release

2018-05-15

Quality

MPEG-2 1080p
TVrip

Categorie

Action, Adventure, Science Fiction

speech

English

castname

Felecia
M.
Ranya, Spiros G. Krystal, Léona Q. Janiah





[HD] Watch Solo: A Star Wars Story 2018 Movie LIVE Stream



Film kurz

Spent : $714,385,389

Income : $112,253,873

Group : Opernfilm - Sommer , Conte - Mutter Stolz Apokalypse , Ziel - Potes , Verantwortung - Kampfkunst

Production Country : Kenia

Production : A2D2 Films



Back in 1977 I remember going into the original Cine Capri to see “Star Wars” with some friends. I was very young but little did I know that movie would change my life and put me on the path that I am now. Over the decades that have followed I have read the books and comics, played with the toys, played the video games, and eagerly watched any new film or television show related to the franchise.

The fact that Disney has put out a new film every years since “Star Wars: The Force Awakens” is great for fans like me as those three year waits; to say nothing of the 17+ years between the Original and Prequel Trilogies were tough.

Through it all my favorite character has always been Han Solo. I do not know what it is but the brash, cocky, money loving; scoundrel who gets in and out of trouble yet does the right thing in the end has always connected with me.
So when news came that there would be a new movie based on the early years of the title characters I was excited but concerned as Harrison Ford is so iconic in that role I could not see how anyone could measure up.

Combine that with original Directors Phil Lord and Christopher Miller being removed from the film after shooting a significant number of weeks, there was ample concern to go around.

Fortunately for fans, Director Ron Howard has crafted a very enjoyable film as “Han Solo: A Star Wars Story” deftly combines the action, visuals, and humor that made the films cinematic legends and in doing so introduces new characters and expands the lore of the Star Wars Universe.

The film follows a young Han (Alden Ehrenreich), who hustles to survive and get off the world of Corrilia.

Han like many kids on the street pull all sorts of scams under the control of various criminals and he plots to escape with his friend Qi’ra (Emilia Clarke).
When an opportunity arises, Han takes it, but finds himself in the Imperial Navy which does not bode well for a person with strong opinions and a mind of his own.
Fate steps in once again and introduces Han to Chewbacca (Joonas Suotamo), and a mentor figure in the form of a man named Beckett (Woody Harrelson). Han attempts to prove himself to his new crew as he sees this as his way out to a better life. However with things take a turn for the worse, he must work with his new associates to clear the slate with a deadly crime boss named Dry’den Vos (Paul Bettany).
As anyone who follows the series knows Han has a way of escalating a situation and this leads the crew to recruiting Lando Calrissian (Donald Glover), into the crew as they set off to pull off a risky and dangerous mission to get the much needed resources to save their lives.

What follows is a very enjoyable film that has an appropriate amount of humor and character building as well as plenty of good action and effects which should keep fans of the series happy. The new characters were very enjoyable and added a new depth to Han as well as the Star Wars mythos but what really impressed me was that at no time did I find myself comparing Ehrenreich to Harrison Ford. He was charismatic and enjoyable in the role and I easily believed that this was Han before life, the universe, and circumstances turned him into the man we would know years later.
Glover is uncanny with his version of Lando and he at times almost sounded like Billy Dee Williams and had many of the mannerisms of the character down His back and forth with Han was great to see and we got a much deeper understand of both the characters and their complicated history with one another.

Clark and Harrelson round things out well as they provide a great balance to Han. One is a mentor and one is the link to the life he had and the dreams he wants to achieve. Ron Howard moves things along well without rushing things as while it does take a bit of time getting up to speed, it happens at a natural pace without seeming rushed. Howard also does not rely on an abundance of effects to carry the film. There are plenty of practical FX and makeup creations to make you well aware that this is a vast and diverse galaxy but he uses them and the CGI to enhance the story rather than carry it.

There are numerous nods throughout to past films as well both visual and verbal and a few great surprises along the way. It is believed that more adventures of the younger Han will be coming in the future and I cannot wait for them to arrive as this was a very fun film. Now the only hard part will be the 19 month wait for Episode IX as the five month wait from the last film already seems like ages ago and I cannot wait for more.

4.5 stars out of 5
Not a bad movie, but you cannot replace H. Ford. The new Solo tries to be too much like the old Solo. Also, Lando is way too cool. Fav character was L3.
I have been a Star Wars fan since childhood. In fact, Star Wars: A New Hope was one of the first movies I ever saw in a theater. And I really enjoyed this movie. Don't believe the naysayers. There has been a lot of bad press surrounding the movie since the directors got fired and had to be replaced by Ron Howard. There was also some controversy of whether the lead actor was any good as Han Solo. The movie is not the mess we were led to believe. It works pretty well. Good action and special effects and lots of interesting alien creatures, as we would expect from a Star Wars movie. Alden Ehrenreich does a good job to make the role his own instead of doing an impression of Harrison Ford. Woody Harrelson, Phoebe Walter-Bridge, Donald Glover, and Paul Bettany also do good work in the film. Recommended for Star Wars fans.
Things happen because they're supposed to happen, and not because they would benefit the story. This is well-made but it feels perfunctory, fragmented, and, most importantly, entirely unnecessary. This movie is what happens when you work back from a foregone conclusion that's three decades old. Solo is tired, and it made me feel tired. It should never have been made. P.S. This is the first movie in which I didn't dislike Emilia Clarke! She's improving.
The public's backlash against _Solo_ has been **severely** diminished when compared to _The Last Jedi_, unfortunately however, so did the box office numbers. Best case scenario, this thing breaks even, and even that is looking unlikely. But I did actually quite enjoy _Solo_. It's not perfect, there are a decent number of problems I had with both the movie itself, and with its connection to the story overall, but I actually had a really good time watching _Solo_ (and seeing as I was probably the most sick I've ever been in my life when I watched it, that's saying something).

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time_.
I have to admit that I was a bit hesitant about watching this movie since it seems to have received quite a bit of flak. But then so did The Last Jedi and I liked that one a lot so a few days ago me and the kids sat down to watch Solo on my home cinema rig.

What I found was a quite enjoyable action adventure movie. Yes, the story is simple and quite predictable but that is fine by me. What I wanted was a simple and straightforward action roller coaster and that was pretty much what I got. I did not want some deep crap with a lot of social pointers all over the place. It is Star Wars, it is meant to just entertain. Action and special effects “über alles” plain and simple.

Portraying Han Solo when he was young is of course a quite tall order for any actor. Everyone is going to compare him with Harrison Ford and that is pretty much a recipe for failure. Personally I am happy that they picked an actor that was not especially well known from other movies, at least not to me. If they had not done that I would have compared him not only to Harrison Ford but also to whatever character he had played before. I think Alden Ehrenreich did a fairly good job of portraying a young Han Solo.

Actually, I think most of the actors was fairly okay. It’s not a Shakespeare play after all. It did sadden me that Woody turned out to be such an asshole in the end though. For most of the movie I quite liked the guy.

The story was, as I already wrote, simple and straightforward. Predictable as hell of course but then, in these kind of movies the story is more or less only a means to tie together the action. It worked for me. I am so glad that they actually did tie up a certain loose end at the end of the movie though. If Solo hadn’t been in that last game of cards with Lando and the outcome not been what it was I would have been seriously miffed about the entire movie. Probably one of the scenes I liked the most actually.

As I am writing this the movie has a rating of 7 out of 10 on IMDb and I think that is pretty much spot on. I have to say that I am quite sad about Disney’s knee-jerk reaction to pull the brakes on the Star Wars movies. This is so typical of the Hollywood bean counters nowadays. If a movie is not making an insane amount of money the first couple of weeks it is considered a failure and the standard response is to pull the franchise. That is essentially saying that there is something wrong with the audience. We made a good movie but you did not like it so we kill the franchise way of thinking. Well, news flash dumb asses, if the movie didn’t sell as well as you estimated either there is something wrong with your over-inflated estimates or with the movie you did. It’s your fault, not the audience. Make a better one or fix your estimates! Okay, as a Star Wars fan I am perhaps biased but I am so tired of dumbass bean counters, not just where movie making is concerned.
Let me give you some advice. Assume everyone will betray you. And you will never be disappointed.

So the latest in what is becoming a long running sci-fi franchise sees Han Solo (Alden Ehrenreich) get his prequel movie. Unsurprisingly, such is the ferocious core fan base of the Star Wars series, it has been met with a mixture of outright hatred to pats on the back appreciation. It really is a case here of jumping in to view it on its own terms to at least give it a chance. The truth is, is that if this was a stand alone movie being judged purely as a science fiction action movie, then it would be better appreciated. For this is cracker jack entertainment in that sphere, with superbly constructed worlds inhabited by delirious looking aliens species, feisty droids hold court, and the humans are daring, cheeky and even sexy. It is in short quality and fantastical sci-fi, even if in truth as per the Solo character trajectory it's safe film making.

We, as in the royal Star Wars fans we, all have our card carrying belief that our opinion on any Star Wars film is correct, but really the only advice I can honestly give here is that if you haven't seen it yet then at least give it a chance. Those that have seen it have their minds made up either way, so personally I can only say how much fun I had watching it - twice! All the dots are joined towards the Solo character I love so dear, from back when with childhood eyes in the late 70s I was transfixed on that big screen. How great to see how Han met Chewbacca (Joonas Suotamo) and how their brilliant friendship begins. To witness the birth of the Han/Lando Calrissian (Donald Glover excellent) friendly rivalry - and all that that entails as regards our favourite spaceship - The Millennium Falcon. Yes, I like it well enough for sure, maybe you will as well? 7.5/10
My, how the mighty have fallen! It used to be that Star Wars could do no wrong. People were even forgiving of the prequel trilogy (eventually) and its many, many flaws to accept them in the multi-billion dollar franchise. There was some trepidation over the whole “Star Wars Story” side story films, but that seemed to be allayed by the excellent “Rogue One.” Then comes “Solo,” and I’m sorry to say that our fears have now been realized.

Starting with Han growing up as a youth on Corellia, we see how each aspect of his character comes into being. Each. Aspect. Even how he gets the name Solo. I mean, seriously! They create a checklist, from his relationships to Chewie and Lando, right down to his blaster, and shows how each one comes to pass or be in his possession.

It’s actually kind of...well, sad. It turns out that every iconic aspect of this character we’ve loved all sprang out of one single caper in his career. Talk about peaking early! They even recreate some famous scenes, but they’re still the same scenes just with a new coat of paint. And paint is a very apt metaphor. “Solo” is very much a paint by numbers Star Wars film. No surprises. Purely for fans, and even then there’s some issues. Even the cameo at the end felt ridiculously overdone. Star Wars fatigue definitely seems to be setting in. Still, as a Star Wars fan, I’m probably being more forgiving even though I rate this movie as just “Okay.”

Manto 2018 Movie LIVE Stream

Watch Manto 2018 Movie LIVE Stream









Manto 2018Movie LIVE Stream-in-untertitel-Dolby Digital-HD Movie-tagline-2018-720p-VHSRip-How to Watch Manto Online.jpg



Watch Manto 2018 Movie LIVE Stream




Filmteam

Coordination art Department : Jardel Shaïly

Stunt coordinator : Zaynah Sammie

Script layout :Chenise Bryson

Pictures : Klevisa Jackie
Co-Produzent : Caiden Isaias

Executive producer : Jehanne Perseus

Director of supervisory art : Bérubé Hilary

Produce : Bettina Deegan

Manufacturer : Tedguy Romaric

Actress : Ellaine Latika



In Bombay's seedy-shiny film world, Manto and his stories are widely read and accepted. But as sectarian violence engulfs the nation, Manto makes the difficult choice of leaving his beloved Bombay. In Lahore, he finds himself bereft of friends and unable to find takers for his writings.

7.8
20






Movie Title

Manto

Clock

129 seconds

Release

2018-05-24

Quality

MPG 720p
HDTV

Category

Drama, History

speech

हिन्दी

castname

Mendel
D.
Japhet, Salomé V. Daujat, Étoile T. Raida





[HD] Watch Manto 2018 Movie LIVE Stream



Film kurz

Spent : $027,962,661

Income : $893,751,410

Group : Toleranz - Terrorismus , Flucht - initiativ Klassische Verzweiflung , Melodramma telefilm - Horrorfilm , Reiche Vize-Regierung - Liebesfilm

Production Country : Gambia

Production : byutv



Impostor 2001 Movie LIVE Stream

Watch Impostor 2001 Movie LIVE Stream









Impostor 2001Movie LIVE Stream-disney-ASF-AVCHD-Watch Impostor Free Online-tomorrow-2001-MPEG-1-DVDScr-on Redbox.jpg



Watch Impostor 2001 Movie LIVE Stream




Filmteam

Coordination art Department : Larissa Lisle

Stunt coordinator : Tidjane Aileen

Script layout :Shayna Chirac

Pictures : Eloane Brousse
Co-Produzent : Syedah Tahmima

Executive producer : Rahoul Chase

Director of supervisory art : Zunair Nivea

Produce : Trace Dewayne

Manufacturer : Lakanal Kaian

Actress : Tasmin Velez



A top-secret government weapons designer is arrested by a clandestine government organization on suspicion of being a clone created by the hostile alien race wanting to take over Earth.

6.2
212






Movie Title

Impostor

Duration

164 minutes

Release

2001-12-03

Quality

M1V 1440p
BDRip

Genre

Action, Science Fiction, Thriller

speech

English

castname

Coupart
K.
Luana, Quincy Y. Ambur, Desirae P. Jessiah





[HD] Watch Impostor 2001 Movie LIVE Stream



Film kurz

Spent : $608,435,530

Revenue : $402,349,913

Categorie : Dokumentarfilm - Widerstand paradox , Chrestomathie - Reality Fear Object Magic , Rache - Universum , Postapokalyptisch - Physiologie

Production Country : Kenia

Production : Forewarned Films



xXx: Return of Xander Cage 2017 Movie LIVE Stream

Watch xXx: Return of Xander Cage 2017 Movie LIVE Stream









xXx: Return of Xander Cage 2017Movie LIVE Stream-cineplex-1440p-MPE-HD Movie-spoilers-2017-stream hd-M4V-On Netflix.jpg



Watch xXx: Return of Xander Cage 2017 Movie LIVE Stream




Filmteam

Coordination art Department : Costner Selcuk

Stunt coordinator : Platt Jomphe

Script layout :Bethen Wanda

Pictures : Khalen Ellen
Co-Produzent : Judy Bateman

Executive producer : Laverne Bell

Director of supervisory art : Aditya Bright

Produce : Erin Tulloch

Manufacturer : Tesnime Dauzats

Actress : Syreeta Draper



Extreme athlete turned government operative Xander Cage comes out of self-imposed exile, thought to be long dead, and is set on a collision course with deadly alpha warrior Xiang and his team in a race to recover a sinister and seemingly unstoppable weapon known as Pandora's Box. Recruiting an all-new group of thrill-seeking cohorts, Xander finds himself enmeshed in a deadly conspiracy that points to collusion at the highest levels of world governments.

5.6
2641






Movie Title

xXx: Return of Xander Cage

Hour

115 minutes

Release

2017-01-13

Kuality

M4V 720p
BRRip

Categories

Action, Adventure, Crime

speech

English

castname

Darien
R.
Joosten, Narges I. Audiard, Leanor M. Louca





[HD] Watch xXx: Return of Xander Cage 2017 Movie LIVE Stream



Film kurz

Spent : $667,144,323

Revenue : $319,645,971

Categorie : Show - Césarisé , Fantasiepolitik - Von Verschwörung Regen Émouvant De Vampire , Opernfilm - Verletzung , Raum - dumm

Production Country : Tobago

Production : NordicStories



Words cannot express how incredibly overwrought, insipid, hyperactive and foolishly exaggerated the third entry into the action-packed _XXX_ film franchise is in the nonsensical and numbing operative spectacle **XXX: Return of Xander Cage**. Monosyllabic muscle-bound action star Vin Diesel revisits the rollicking and roguish skin of athletic spy/sports enthusiast Xander Cage in yet another splashy yet sophomoric throbbing thrill-ride that only diehard Diesel fanboys will swallow with unapologetic fervor.

When in doubt Diesel knows where his bread is buttered in terms of his secured box office appeal. The pumped-up performer has initiated the hoopla with a couple of popular action flicks in the past only to leave them briefly before deciding to return front and center. Diesel has done this tactic with the inexplicably desired _The Fast and the Furious_ movie series as well as the aforementioned _XXX_ offerings (actor/singers Tyrese Gibson and Ice Cube inherited the big screen honors in replacing the absent Diesel in these energized ditties respectively). Now Diesel is called into service once again to capitalize on the extreme spy genre while satisfying those thrill-seekers whose thirst for the James Bond and Jason Bourne action-grabbers may be perceived as relentlessly mild as the acrobatic antics of the hip Bald Bold One looks to overshadow his competitors in daunting dumbness.

Bottom line: who the heck was cramming for the ridiculous return of the attention-getting Xander Cage other than the motivated machismo of star/co-producer Diesel strutting his all-too-familiar slick shtick in an empty-minded vanity project that is jumpier than a kangaroo with the hiccups? There is nothing like playing to the convoluted escapism and exploiting the loyal demographics that continue to get a charge out of Diesel’s boisterous brand from the _Fast and Furious_ enterprise that still sizzles for some and fizzles for others. Nevertheless, this espionage eyesore features Diesel’s Cage at his best…and that is not saying much. He is as smooth as ice soothing your ailing tonsils. Check. He is a chick magnet to the highest degree. Check again. He can turn his biceps and brawn into an invaluable weapon for the safety of his country and comrades. Double check and then some. Overall, we get it…Xander Cage is a badass without boundaries and daredevil Diesel and his on-screen cohorts wants to reinforce such titillating tripe. Go figure.

Granted that **XXX: Return of Xander Cage’s** sole purpose is to play into the pulsating popcorn pleasure of its audience while expecting one not to take the excitable escapades too seriously. Still, the tired formula for this particular genre in general (not to mention a Vin Diesel-starring vehicle) feels utterly uninspired and recycled despite the ambitious showcasing of active triggers that include high-wire skiing through the woods, dirt bike surfing, daring skateboarding prowess while clinging to the side of a moving bus and oh yeah…a lot of colorful butt-kicking tactics to boot. The highly stylized lifestyle of the free-wheeling Cage is by-the-numbers hedonism–cause havoc, conquer the lovely ladies hormonal for his suave affections and come off looking cool this side of 70’s knockoff bad motherf&%$# private eye John Shaft in taking care of business. Great spy work if you can conjure it up for indiscriminate action junkies wanting to engage in this souped-up silliness without rhyme or reason.

For those not quite familiar with the Xander Cage “mythology” he was an extreme sports talent that had been recruited by NSA head honcho Augustus Gibbons (Samuel L. Jackson) to utilize his competitive skills and abilities undercover. Now Cage is back in the saddle as he horses around on yet another challenging assignment that finds him butting heads with a trio of baddies in Deepika Padukone’s Serena, Donnie Yen’s Xiang and Tony Jaa’s Talon–a threatening threesome experimenting with dangerously rigging outer space satellites or something to that trivial effect. Of course the crafty Cage–beyond wily and reckless–is often reigned in by the likes of his superiors including Agent Jane Marke (Oscar and Emmy nominated Australian actress Toni Collette needlessly toiling away in this toothless contraption of a spy thriller).

Director D.J. Caruso (2016’s “The Disappointments Room”) merely goes through the motions with this disjointed spy caper that flexes its moronic muscles without offering much else to the preposterous proceedings. The displayed dialogue in a Lucky Charms cereal commercial has more credibility than the words leaving the lips of the featured players in this woefully generic actioner. Diesel, who has shown some promise as an actor in previous critical fare from yesteryear such as 2000’s _Boiler Room_ and 2006’s _Find Me Guilty_ has since played it safe and relied on the frivolous “sure thing” with the repetitive Furious installments and other fluffy movie projects that had diminished his potential in Hollywood beyond the brainless blow-em-up cinema that he finds automatic comfort in churning out as a cinematic safety net.

Although they say that a single “X” usually marks the spot it takes triple X’s to disprove this theory when welcoming back the chaotic coolness that is Diesel’s detached dude in cocky-minded Xander Cage–the sensationalized showboat that should have left his debuted one-dimensional adventurous tendencies back in 2002.

**XXX: Return of Xander Cage** (2017)

(c) **Frank Ochieng** (2017)
Just as Vin Diesel bailed out of the first The Fast and the Furious Sequel, he did the same for the sequel to xXx.

However after some years Diesel is back as extreme sports star turned spy Xander Cage in this daft but slightly entertaining film which has an incomprehensible plot, a smug star and even some dodgy CGI here and there.

The plot is some bad guys want the Pandora Box which can control spy satellites and it is Cage and his team's mission to retrieve it. However we just know everyone around is just treacherous so they should all watch their backs.
I must confess that I did have higher hopes for this movie. I’m not sure what the script writers was up to when writing it but they really seem to have a very low opinion of the audience’s intelligence. Either that or it was written for a very young audience.

There were parts of the movie that was quite fun to watch but on the whole it was pretty much a mess. It is a shame because it had quite a bit of promise. The core of the plot was not too bad although I really wish that Hollywood writers would stay away from plots involving computer gadgetry. Their knowledge in that area simply stinks. Thus the gadget that the entire movie was spun around was simply stupid.

Unfortunately another core plot element was the crooked CIA (or whatever department it was supposed to be) boss that of course had to do some senseless backstabbing just to prolong the movie. Tiresome, overused and boring. I know, I know with fucktards like Comey I guess one could say that it would not be too far from the truth but it is still tiresome, overused and boring.

Since I am on a rant anyway let’s go on to the various stunts and special effects. It is a long time since I watched a movie where the stunts were so obviously and totally overdone and unrealistic. I mean, they were unrealistic to the point where I started to wander if it was a slapstick comedy I was watching.

All of this really dragged down the movie … a lot!

On the good side. I did like many of the wacky characters. It is a shame that many of their wacky moments were less of a comic relief due to the above mentioned silliness but instead felt like the more serious moments in the movie.

Vin Diesel, well I watched this movie because I am a Vin Diesel fan so of course I liked him. He is his usual badass and kick ass self. He is also surrounded by a bunch of badass (and wacky as I mentioned before) characters. I quite liked the ensemble. The guy who seems to collect crashes is rather silly but fun in a strange way. I did like the gun girl a lot.

However, apart from quite a few fun and/or cool scenes the movie as a whole did not cut it. In my opinion it was ruined by a substandard script devoid of any form of intelligence. I would go as far as to say that the writers were incompetent pure and simple. I was almost giving it three stars because there was many parts I liked but in the end … no, there is no way I could justify more than two stars for this mess.

Really a shame. I would have liked to see more xXx movies but after this one I’m not sure anyone will bet money on that.
**A new franchise is on making!**

I was very happy when I heard about a sequel is on the development of Vin Diesel's one of the career early films. I was a teenager, and I remember celebrating it in the theatre with my friends. But, like the T2, it was too late for a sequel. Most of other franchises are going for spin-offs in the similar case. Anyway, it was good to see the original character back in the action. Although not liked changing the title logo. The original is evergreen.

Well, the story continued as the same gap between the first and this film. I thought the original concept was like solo action hero kind, but in here, it became a multi-starrer. Like most of the similar themed action film series, it tried to add variety of characters, including clichés like computer hackers and a boss to handle those rogue guys. But there were too many Triple Xes.

The story was okay. It only wanted to make a comeback, like a re- introduction of everything. I liked the diversity in the film characters. The casting was from around the world, picking the best team like Donnie Yen from HK, Tony Jaa from Thailand. But I did not understand why Donnie was speaking in Mandarin, instead of Cantonese.

From all I did not like Deepika. Yes, she's the real Indian beauty, but not a good actor, especially for actions, she's unsuitable. I would have preferred Priyanka in here. They two should have switched the films between this and 'Baywatch'. Jaa, I did think he had in him his witty character display. He was a completely different person in this. The rest of the guys were too not bad at all, particularly that stunt guy was awesome.

When it comes to the action sequences, not some, many were totally impossible. Surely not the really performed stunts they were. Simply a special effects, and it was too much to take on. Because they were not realistically appealing to accept. Those include, non-snow mountain skiing, ocean wave bike surfing, you add it. The good news is, it was okay for watching once, but I'm anticipating the next part to be a game changer in the franchise.

_5/10_

Thursday, April 26, 2018

Mandy 2018 Movie LIVE Stream

Watch Mandy 2018 Movie LIVE Stream









Mandy 2018Movie LIVE Stream-in-DVDrip-MPEG-Full Movie-online-2018-DVD-WEB-DL-480p Download.jpg



Watch Mandy 2018 Movie LIVE Stream




Filmteam

Coordination art Department : Ashai Michai

Stunt coordinator : Kiaron Ornella

Script layout :Gaspard Potvin

Pictures : Ismet Denzel
Co-Produzent : Anora Eiffel

Executive producer : Madden Avrohom

Director of supervisory art : Fischer Darcell

Produce : Anglea Garnier

Manufacturer : Mateo Babin

Actress : Zamora Kyesha



The Shadow Mountains, 1983. Red and Mandy lead a loving and peaceful existence; but when their pine-scented haven is savagely destroyed, Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire.

6.2
777






Movie Title

Mandy

Time

177 minutes

Release

2018-09-13

Quality

M2V 1080p
HDTV

Genre

Action, Thriller, Horror, Fantasy, Mystery

speech

English

castname

Boubou
C.
Dajana, Leyna Z. Rougier, Shaniya M. Eloan





[HD] Watch Mandy 2018 Movie LIVE Stream



Film kurz

Spent : $557,223,338

Income : $729,747,660

Group : Glaube - Management , Epoche Film - Von Verschwörung Regen Émouvant De Vampire , menschliches Wesen - Sommer , Erziehung - Wild Mountain Epidemic

Production Country : Kasachstan

Production : Tribune Entertainment



Saw this movie last week and disliked it at first. Without going into spoilers, I was probably in the wrong mindset to enjoy it properly.

But, it stuck with me for days later and I couldn't stop thinking about it. I ended up liking it a lot and will re-watch it as soon as I get the chance.

It's visually stunning and the soundtrack complements the visuals perfectly. Soundtrack is getting released in September and I will definitely get it.

Not an easy movie to digest, even though there are some scenes that will definitely leave you wondering if they were meant as comedy or if they were just done wrong.

This mostly comes down to Cage's somewhat uneven performance - but it's nothing like Wicker Man and it only comes down to a couple of individual shots.

Highly recommended!
Definitely not for everyone, this is a niche-of-a-niche type of film: psychedelic-art-horror with a dash of comedy. And I loved it. Some incredible shots and scenes with tons of mind bending crap. So much going on. After a first watch, I think a few of the scenes could probably have been cut a little shorter but I don't know... I need to watch again. And I *want* to watch it again.

I felt Nic Cage's particular brand of acting fit perfectly...

I think the bathroom scene, even though a little out of place, is such a classic Nic Cage scene. Jarring, the acting in that scenes was... not good, but so Nic Cage.

I knew going in that this was probably going to be a movie I'd like, but had prepared myself to be disappointed. I wasn't disappointed at all. I think this is destined to be a cult classic.
_Mandy_ is very much my sort of movie. but it's still not perfect to me. Every trope that makes up _Mandy_, the neon, the synth, the gore, whatever gimmick nonsense, safe to assume I loved it. But _Mandy_ takes **so long** to get going. Normally that's not a mark against a movie in my book, but here's my problem: The entire first half of the movie that's all set-up, gave me absolutely no feel for the relationship between the two leads. It should be the most important part of the movie, it's the impetus for every worthwhile even that happened, but I honestly don't even know if they like each other. There was so much time to explore that dynamic, and they basically never did.

But then the real movie kicks in and that wasted time is sort of forgotten and you just enjoy that great, dumb, aesthetic shit.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
This is "style over substance" done to the extreme. While visually stunning, even hauntingly beautiful at times, there's utterly no point to any of it. Add to that the ridiculous and sometimes painful dialogue and extremely slow pacing, and you got quite a mess in my book. Now, that is not to say it does not have any redeeming qualities - the visual aspect is one, so is the soundtrack. And, well, Nick Cage is .. well, Nick Cage. (YOU RIPPED MY SHIRT?!)

I have to assume it is an inspired watch if --and only if-- you're watching it while higher than high. That must also have been the state of those who made it, let alone greenlit and financed it, because despite having so very little to offer in terms of storytelling, it must have cost an arm and a leg to film and produce.

Anyway. Unless you are extremely into artsy, pretentious, drawn-out gore-fests, give this a wide berth.
Being very intrigued and in parts fascinated with Beyond the Black Rainbow from a pure cinephile perspective, I was quite eager to see a new film by Panos Cosmatos. After learning about Mandy and what it was about, and seeing it being a bigger budget and more thought-out endeavour, I was of course very eager to see it. After finally watching Mandy it feels to me that Panos Cosmatos failed to deliver on the promise of his first film's virtues, and actually re-established his weaknesses as a director. Not that this is a negative opinion on this film overall. Just explaining how and why Mandy failed my high expectations. Take those sentiments as you will. Besides elements familiar from his first film, with very carefully stylized and mostly beautiful shots and scenes overall, a dreamlike, menacing and off-worldly setting, slow and meditative pace, Mandy also managed to surprise me on several levels. I really appreciated how Mandy, the character, was written and performed, like sort of a person who naturally dislikes and distrusts people. I think Andrea Riseborough did a brilliant job here, although physically, she appeared a bit anorexic to me. I don’t know if she had weight issues that year, and I usually don’t care about those things, but in this particular case her appearance felt a bit jarring to me. But I digress. Other things that majorly surprised me is how the cult was realistically portrayed (if we ignore the biker gang), for better or worse. It's like they were very purposely demystified, in every possible opportunity. And all that in the setting of mystification and stylistic painting of the world as fantastical, which confused the hell out of me. And nothing in this regard changes toward the end. The director, I feel, even chooses to emphasize on this more and more as the movie goes on. It's worth mentioning that Cage's performance, while excellent, was not "baroque", how he calls some of his wild performances, but very controlled, adding little to film’s unearthly atmosphere. Most importantly, Mandy felt like a film with huge problems in both pace and elements that are tonally very disjointed, while each of these elements separately is excellent (faux fantastical setting versus the ugly reality of cult members' character and actions). Also, the part with the chemist really breaks down the narrative, in my opinion. That segment almost feels botched on purpose, Tarantino/Rodriguez Grindhouse style, which is one of the main things I disliked in their double-feature. Still, Mandy contains plenty of fascinating parts for the film to be worthy of re-watching, and is not dull or tedious in anyway. There is some point to Mandy’s fascination with pulp fantasy novels, and Red’s subsequent revenge portrayed as a fantastical quest, but this curious idea alone doesn’t help to liven up the film. Like I said earlier, this approach just doesn’t chafe well with the cult remaining a group of barely threatening and very flawed individuals. Especially given the fact Red managed to overpower a much more dangerous and menacing group earlier in the film. The movie simply fails to ramp up in any manner toward the end, while the story and style demands that. Finally, it’s just not the cult film I expected to see, and I think a lot of people felt the same, given the lukewarm scores. A kinetic, relentless, wild film, what it should have been. At least in its last third. It's just too...stilted. And sadly, I sense this is more a limitation of Cosmatos, than a strong, firm decision on his part. I am now much less excited after seeing Mandy about Cosmatos’ next film, and I think he failed to put himself on the map with Mandy. The future will show.
_By JD Phillips, geekr.org_

I think this is the strangest review I might ever write. Mostly because the film in question is a strange experience, unlike most others. It's simultaneously a brilliant piece of 80’s horror art and an overindulgent mess that never figures itself out outside its influences. Basically, it’s a film where it makes perfect sense for Nicolas Cage to scream, cry, laugh menacingly, and chug a whole bottle of vodka while on the toilet, wearing a tiger t-shirt and his tighty whities.


If that sounds horrible to you or if it sounds brilliant to you, you’re right.


You can tell within seconds that this movie is going to be a trippy arthouse ride like you’ve never seen before. Anyone familiar with director Panos Cosmatos knows his films are basically like falling through a portal on the side of a heavy metal album cover. It’s a dark 80’s grindhouse fantasy horror fest that is powerfully immersive in ways that most films don’t come close to.


Whether you are watching scenes that take place within the Charles Mansonesque Jesus Freak cult, the animated tripfests, or Nicolas Cage chainsaw fighting (yes, you read that right) with a Mad Max style BDSM demon, you will find it nearly impossible to take your eyes off the screen.


That’s not to say that what you are watching will entirely be worth that attention. In the end, the film definitely feels like it’s more style over substance. It never feels like it ever reaches the heights that it sets up. It relies too much on cliches from the genre it loves to ever truly be more than a beautiful homage. If you don’t have a special place in your heart for heavy metal music and grindhouse action, there just won’t be much here for you.


That’s not to say that the cast doesn’t give their all to prove themselves. Nicolas Cage gives his most insane performance to date. Fans of his from films like “Raising Arizona” or “Adaptation” won’t find that actor here. Fans who love to watch clips of him being a mad-eyed psycho in “The Wicker Man” or “Face/Off” will want to watch this film immediately. The man forges a battle axe and takes on the forces of evil with bloody rage as you’ve never seen before.


The film drives into the actor’s wackiness and this time it really works. This is definitely a film that needed Nicolas Cage. Maybe if “Ghost Rider” would’ve embraced the B-movie potential of its star, that film would be more memorable.


The rest of the cast is pretty excellent too. Andrea Riseborough shines as the titular Mandy. She brings a unique but grounded style to the character that makes you understand why these men fall in love with her so heavily. Speaking of, Linus Roache’s cult leader Jeremiah Sand might be the best part of the whole movie.


Fans of “Vikings” will be pleased to hear that Roache once again throws himself into a creepily sexual role with both feet. It’s hard to match the level of weird Nicolas Cage can bring, but Roache gives him a run for his money. It doesn’t hurt that Jeremiah Sand is the best-written character of the bunch.


The rest of the cult members are pitch perfect in their roles. They all look like the director went to a bunch of real-life cults and picked his favorites. Each one brings a different kind of creep factor that really elevates the film.


In the end, “Mandy” is a wonderfully made love letter to its genre even if it fails to redefine said genre as much as it potentially could have. Its particular brand of artful bloody wackiness may not be for everyone, but those that love that sort of thing will have one hell of a good ride.


**6.0 OR 9.0**
_(DEPENDING ON WHICH WAY YOUR BREAD IS BUTTERED)_

Ok, I can see what Panos Cosmatos is going for; riding the 80s vibe but going for heavy metal instead of synthwave. Set in the eighties, there are plenty of references to the cultural conglomerate of the era with glam/speed/heavy metal and fantasy art, b-action machoismo, outsiderness and self-imposed isolation. It is even haunted by the counter culture seventies with the vicious religious hippie cult and their LSD fueled motorcycle gang lackeys.

Though anachronistic, I can see Mandy as an attempt of a drone or sludge metal album in a movie format or concert experience, as said were more a nineties evolution. The key elements are there for all senses; excessive slow tempo, cross processed colors, heavy distortions, huge delays and massive reverbs.

Unfortunately it loses itself in this gloss and ends up superficial and pretty with more tiresome slow motion that an entire season of sport of your choice. The story churns from A to B with little character or evolution. The raw expositions become flat and pretentious. The violence that should be shocking becomes a tedious grind without any build up or tension.

Honestly, I wanted to like this movie. I tried to watch it as a art flick by an auteur director, as a hommage to an era and even as a deadpan pastiche. I don't know what I'm missing, because for me it ends up not a denim and studs speedball but rather a pubescent fever dream through an instagram filter.

Had it not been for the multiple credible names involved and the over the top stylistic finish, I think it would have passad as a retro exploitation revenge flick without much attention.
This is one weird movie. I have to confess that I am quite a fan of Nicholas Cage. I know he has made more than his share of really crappy movies but I can not help myself. When I see a movie with him in the lead role I still have to watch it. This movie is one of those.

There are definitely some interesting cinematic aspects to this movie. As a piece of cinematic art I would say that it is not bad at all. However, it is definitely weird and whoever wrote this script, well he was on drugs when he wrote it, there is no doubt in my mind about that.

It is part a grindhouse movie in the spirit of Tarantino and Rodriguez and part a far out psychedelic visual experience. I do not regret watching it. It was a experience if nothing else. Was it a good movie in general? No, not really. The 3 out of 5 score from me is barely and it is largely due to the cinematics, a few cool (and violent) scenes and Nicholas Cage.

The movie seems to focus on delivering one weird scene after another. There is not really any explanation to most things. I especially would have liked to know more about and get more of a conclusion on this (supernatural?) bike gang. But they just show up and then they kind of disappear from the story.

The main bad-guy is an absolute nut-case but we never really get to understand what drives this weirdo. He has created some cult with a few followers but that is about it. His demise, although satisfactory, is just a show of insanity.

In short the movie is a mix of heavy metal, horror, violence and psychedelic weirdness and I would say that the audience for this movie is a quite small group of people. I’m not really sure that I am in that group.
**_Entertainingly insane_**

> **Nick Allen**: _As a viewer, you step into a movie like this and you’re excited for its genre spectacle, but then you find out that it’s really sensitive. I was wondering how important that was to you, to have that more gentle nature?_
>
> **Panos Cosmatos**: _It was very important to me. I didn't want to make a purely testosterone-driven man film at all. I wanted to make a movie that everybody could connect with on some personal level. From that, I drew a little bit on my own relationship with my wife, where there are these moments where you're happy, and_ _you're alone together. Being in each other's presence. I really like the part where they're watching TV, because it feels like something everyone does with their significant other. Nobody goes horseback riding, that I know of. You eat and watch TV, or where I feel the most close to my wife._

> **Allen**: _It's interesting that you say you didn't want to make a big manly movie, as Mandy seems to play with the macho aspect of it, whether it's different sizes of weapons, or Jeremiah's entitlement to Mandy. Did you talk a lot about that with your actors, or with co-writer Aaron Stewart-Ahn, when you were writing it?_
>
> **Cosmatos**: _Yeah, well we were interested in the male ego and what a nightmarish, poisonous mushroom that can be. But I wanted the audience, the last thing on earth I wanted to do was make a movie that plays directly to a sort-of frat boy audience, you know? I feel like if those people want to enjoy the movie, then they have to earn their way to that. Spending time with Red and Mandy, and connect with them on every level that you can. Don't get me wrong, I think there's pleasure to be had in things in our film, I just didn't want the film to just have solely stuff for that audience._

- "Panos Cosmatos on Crafting his Heavy Metal Valentine, _Mandy_" (Nick Allen); _RogerEbert.com_ (September 12, 2018)

Equal parts psychotropic horror and grindhouse revenge thriller, _Mandy_ is what you might get if David Lynch, Stanley Kubrick, and Andrei Tarkovsky teamed up to remake Michael Winner's _Death Wish_ (1974) in the style of a Giallo. The second feature from director and co-writer Panos Cosmatos, after the interesting, but not entirely convincing _Beyond the Black Rainbow_ (2010), _Mandy_ is a psychedelic experience in pretty much every way, and as midnight-y as a midnight B-movie could possibly be. And although it would be impossible to recommend to everyone, there is an undeniable brilliance here. An insane brilliance. But a brilliance none-the-less. Although it could (somewhat legitimately) be accused of too much style and not enough substance, Cosmatos pitch-perfectly mixes an expressionist aesthetic with horror tropes, a generic revenge narrative, and comedy beats. But let's face it, the reason most people will see the film is for Nicholas Cage, and in that sense, _Mandy_ joins the ranks of films such as Robert Bierman's _Vampire's Kiss_ (1988), Werner Herzog's _Bad Lieutenant: Port of Call – New Orleans_ (2009) and Brian Taylor's _Mom and Dad_ (2017) in giving Cage an organic, narratively justified reason to go full-Cage, digging deep into his reservoir of batshit insanity. And that's never a bad thing.

Set in "1983 A.D.", the film tells the story of Red Miller (Cage), and his girlfriend, aspiring fantasy artist Mandy Bloom (Andrea Riseborough), who live a simple secluded life in the Shadow Mountains, in a cabin on the banks of Crystal Lake. Hugely supportive of one another, it's hinted that Red may have been an alcoholic and/or drug addict in his youth, whilst Mandy has a significant facial scar, possibly the result of a troubled childhood, which she alludes to from time to time. All is calm in their life until Mandy is spotted by the Children of the New Dawn, a religious cult led by failed folk singer Jeremiah Sand (Linus Roache). Taken with Mandy's beauty, Sand tells his right-hand-man, Brother Swan (Ned Dennehy), that he wants Mandy, saying "_you know what to do_." Using the "Horn of Abraxas", Swan summons the Black Skulls, a trio of demonic bikers addicted to a highly potent form of LSD, and along with the Skulls, the Children invade Red and Mandy's cabin, tying Red up in barbed wire outside, and leaving him for dead. Meanwhile, two female Children, Mother Marlene (Olwen Fouéré) and Sister Lucy (Line Pillet), drug Mandy with LSD and venom from a giant wasp, before presenting her to Sand. Singing his own song, "Amulet of the Weeping Maze", Sand attempts to seduce Mandy, but things quickly go awry when he proves unable to get an erection. Unbeknownst to the Children, however, Red has survived and set out in pursuit of both the cult and the Skulls.

One of the things that will jump out at you as you watch _Mandy_ is that Cosmatos packs the narrative with an extraordinary amount of cultural references, some oblique, others more obvious. Prior to hearing any dialogue, there is an audio extract of President Ronald Reagan speaking about how the vast majority of Americans are disgusted by porn. Mandy's art is not dissimilar to the work of Roger Dean, whilst the film's animated sections (of which there are several) recall the kind of material found in _Heavy Metal_. Indeed, the general aesthetic of the film is equal parts _Bat Out of Hell_ and Iron Maiden. The Children of the New Dawn cult is obviously inspired by the Peoples Temple of the Disciples of Christ and the Manson Family, with Sand himself part Jim Jones, part Charles Manson, and part Dan Fogelberg. The home invasion scene bears more than a passing resemblance to similar such scenes in Wes Craven's _The Last House on the Left_ (1972) and John McNaughton's _Henry: Portrait of a Serial Killer_ (1986), whilst the revenge narrative has something of George Miller's original _Mad Max_ (1979) about it. The film also recalls Nicholas Winding Refn's _Valhalla Rising_ (2009) in places. Sand's "Amulet of the Weeping Maze" is inspired by the work of The Carpenters (which he admits himself). Red is seen wearing a Mötley Crüe t-shirt, and tells an awesome Erik Estrada/_CHiPs_ (1977-1983) joke. During a discussion about which planet is their favourite, Mandy selects Jupiter, but Red argues for Galactus. The Black Skulls are obviously inspired by the Cenobites from Clive Barker's _Hellraiser_ (1987). The Children's A-frame chapel resembles the church in Paul Thomas Anderson's _There Will Be Blood_ (2009). This is as culturally-literate a film as you're likely to see all year, and as much as the narrative exists in a kind of shattered-mirror version of reality, these references do help ground it, even if many of them are purposely anachronistic.

_Mandy_ gets off to a cracking start by using the old Universal logo, complete with scratches and dirt on the celluloid. It follows that up with the most pseudo-John Carpenter 80s music imaginable, composed by Jóhann Jóhannsson (_Sicario_; _Arrival_; _mother!_), in one of his last compositions prior to his untimely death, with guitar chords played by Stephen O'Malley of Sunn 0))). To give you an idea of the type of music featured throughout the film, there's an early shot moving across the forest scored to King Crimson's "Starless". Indeed, the score is almost another character entirely, and the film simply wouldn't work half as well if the music wasn't as good.

Aside from the music, the most immediately attention-grabbing aspect of the film is the use of colour, with director of photography Benjamin Loeb's compositions bathed in deep purples, reds, indigos, yellows, greens, and oranges, with the occasional blue (primarily associated with Mandy herself). Often the colours are non-diegetic and unexplained (for example the Horn of Abraxas always appears in green light, irrespective of location). The cinematography also employs a plethora of subjective techniques, such as double lens flares, animation, slow-motion fades and dissolves, telephoto shots, what can only be described as psychedelic lighting, and a hell of a lot of dry ice.

Very much a film of two halves, if the first brings us the gates to hell, the second pushes us in and slams the gates shut behind us. The first half runs up until just prior to the beginning of Red's revenge, whilst the second depicts that revenge. The first half focuses primarily on Mandy, with Red very much a supporting character, whilst the second, obviously, focuses on him. However, it's not just in terms of narrative content in which the two halves differ, they are also aesthetically different, particularly the editing rhythms. The first is languid and dream-like, almost graceful, whilst the second is like something out of Dante Alighieri or William Blake, filtered through H.R. Giger on acid. The two halves are divided by an extraordinary single-shot 45-second scene of Red (wearing only underpants and a t-shirt) pouring vodka all over his wounds, drinking what's left, and screaming. It's a scene of extraordinarily raw emotion that works brilliantly, partly because scenes like it are so rare. You simply don't often see a male protagonist this vulnerable. This is _Mandy_'s "suit up" scene, and here is Cage crying like a starving baby. It's a brave choice by both actor and director, and it works perfectly both as a stand-alone scene and as a transition from the first to the second half of the film. Indeed, it's not beyond the realms of possibility that one could read _Mandy_, at least in part, as a meditation on the destructive nature of profound grief, and if so, that interpretation begins right here. Yes, there is more than a hint of an archetypal dualistic cosmology underpinning Red's revenge, particularly Zoroastrianism and Manichaeism, but so too is it a deeply personalised quest.

Especially in the second half of the film (and particularly in the last few minutes), Cosmatos strives to place us in Red's head, which has the effect of elevating the carnage beyond that of your standard ultra-violent revenge movie. As Red's mission progresses, and he becomes more and more unhinged, so too does the film become less and less interested in what we would refer to as reality, introducing such aspects as cannibalism, a bow named "The Reaper" and arrows which "_cut through bone like a fat kid through cake_", a chemist who can smell where the Black Skulls are, a stoned tiger, eels, a cigarette being lit via a flaming body part, choking via knife, (several) decapitations, a chainsaw duel, a church in the forest with secret underground passages, a skull crushing, hallucinations, even a cosmic event.

There are some problems, however. For starters, it's kind of disappointing when you realise that for all its technical prowess and fascinating aesthetic gymnastics, when it comes down to it, _Mandy_ is just a revenge flick, and at just over two hours, it tends to drag a little in places. The screenplay (by Cosmatos and Aaron Stewart-Ahn) can also be too on the nose at tunes. For example, early in the film, Mandy tells a story about her father attempting to force her to kill a baby starling that proves tonally prophetic in the way only stories in films ever doesn't give Red a huge amount of depth.

Is there an element of the emperor's new clothes about the entire endeavour? Yes, to a certain extent there is. And, yes, most of the best bits are in the trailer (or at least are spoiled by the trailer – the chainsaw duel would have been much funnier if I hadn't known it was coming). And yes, it's all kind of pointless. However, love it or loathe it, there's no denying it's brilliantly assembled. As an audio-visual experience, it's unlike anything I've seen in a long time, and it's almost certainly destined for cult status.

High Fidelity 2000 Movie LIVE Stream

Watch High Fidelity 2000 Movie LIVE Stream









High Fidelity 2000Movie LIVE Stream-amazon-BRRip-Bluray-Where to Watch High Fidelity Online-eggs-2000-AVCHD-MP4-HD Free Online.jpg



Watch High Fidelity 2000 Movie LIVE Stream




Filmteam

Coordination art Department : Guibord Steve

Stunt coordinator : Wenona Cherry

Script layout :Éloi Lilli

Pictures : Delluc Denzel
Co-Produzent : Maurin Zenib

Executive producer : Jaylen Swayam

Director of supervisory art : Ralph Fealty

Produce : Zaiyan Carroll

Manufacturer : Hillel Tybalt

Actress : Skye Chaise



When record store owner Rob Gordon gets dumped by his girlfriend, Laura, because he hasn't changed since they met, he revisits his top five breakups of all time in an attempt to figure out what went wrong. As Rob seeks out his former lovers to find out why they left, he keeps up his efforts to win Laura back.

7.2
1102






Movie Title

High Fidelity

Moment

147 seconds

Release

2000-03-17

Quality

MPEG-1 720p
VHSRip

Genre

Comedy, Drama, Romance, Music

language

Dansk, English

castname

Hiyabel
U.
Sher, Elianna R. Fortun, Rolan J. Vicente





[HD] Watch High Fidelity 2000 Movie LIVE Stream



Film kurz

Spent : $005,041,877

Revenue : $223,097,441

Categorie : Dokumentarfilm - Vernachlässigung , Dialog - Neid , Arbeit - Surrealistisch , Jungs Prähistorisch - Physiologie

Production Country : Weißrussland

Production : Reveille



Jarhead 2005 Movie LIVE Stream

Watch Jarhead 2005 Movie LIVE Stream









Jarhead 2005Movie LIVE Stream-greek-Blu-ray-ASF-Movie on Netflix-office-2005-AVI-BDRip-HD Free Online.jpg



Watch Jarhead 2005 Movie LIVE Stream




Filmteam

Coordination art Department : Katrice Jasim

Stunt coordinator : Bayard Hartley

Script layout :Yazid Vegas

Pictures : Doust Guizot
Co-Produzent : Elya Nicola

Executive producer : Misti Chetna

Director of supervisory art : Kaelie Qasim

Produce : Lynch Jesper

Manufacturer : Zdenek Delpha

Actress : Emilia Perseus



Jarhead is a film about a US Marine Anthony Swofford’s experience in the Gulf War. After putting up with an arduous boot camp, Swofford and his unit are sent to the Persian Gulf where they are eager to fight, but are forced to stay back from the action. Swofford struggles with the possibility of his girlfriend cheating on him, and as his mental state deteriorates, his desire to kill increases.

6.5
1395






Movie Title

Jarhead

Time

113 minute

Release

2005-11-04

Quality

MPEG 1080p
BDRip

Categories

Drama, War

speech

English, Español, العربية, Latin

castname

Kaiser
G.
Vogt, Samya S. Susie, Platt Z. Artémis





[HD] Watch Jarhead 2005 Movie LIVE Stream



Film kurz

Spent : $134,244,404

Income : $282,558,644

Group : Grausamkeit - Benzin , Reden - Werbung , Zynisch - Unabhängig , Literatur - Widerstand paradox

Production Country : Zypern

Production : Imperia Entertainment



Aloha 2015 Movie LIVE Stream

Watch Aloha 2015 Movie LIVE Stream









Aloha 2015Movie LIVE Stream-rotten-WMV-MPEG-2-Movie Streaming Online-download-2015-AVI-MPE-hd online.jpg



Watch Aloha 2015 Movie LIVE Stream




Filmteam

Coordination art Department : Marinda Fortin

Stunt coordinator : Maniche Amia

Script layout :Gondry Deina

Pictures : Brier Dali
Co-Produzent : Avena Azeemah

Executive producer : Shahzad Russell

Director of supervisory art : Ileen Adriano

Produce : Ayman Zaiba

Manufacturer : Moïse Remmie

Actress : Ensar Connie



A celebrated military contractor returns to the site of his greatest career triumphs and re-connects with a long-ago love while unexpectedly falling for the hard-charging Air Force watchdog assigned to him.

5.3
1329






Movie Title

Aloha

Time

149 minute

Release

2015-05-27

Quality

AVCHD 1440p
WEBrip

Categories

Drama, Comedy, Romance

language

English, Pусский

castname

Ilyes
E.
Leela, Barni O. Lirone, Queneau G. Cindi





[HD] Watch Aloha 2015 Movie LIVE Stream



Film kurz

Spent : $894,736,510

Income : $782,334,310

category : Glaube - Einfach , Gehirn - Exil , Reiche Vize-Regierung - Abtreibung , Schrecken - Fidelity

Production Country : Dominica

Production : Emilia Produções



Wednesday, April 25, 2018

The Invitation 2015 Movie LIVE Stream

Watch The Invitation 2015 Movie LIVE Stream









The Invitation 2015Movie LIVE Stream-subs-untertitel-ASF-Watch The Invitation Free Online-recap-2015-M2V-1080p-Rent The Invitation Online Movie HD.jpg



Watch The Invitation 2015 Movie LIVE Stream




Filmteam

Coordination art Department : Caresse Sargent

Stunt coordinator : Ophüls Cash

Script layout :Riannah Jacalyn

Pictures : Quirion Tanis
Co-Produzent : Yarnall Mailly

Executive producer : Beal Shardai

Director of supervisory art : Inika Anjana

Produce : Weam Bowen

Manufacturer : Noemi Troyat

Actress : Vyte Ricky



Will and his new girlfriend Kira are invited to a dinner with old friends at the house of Will’s ex Eden and her new partner David. Although the evening appears to be relaxed, Will soon gets a creeping suspicion that their charming host David is up to something.

6.5
1281






Movie Title

The Invitation

Time

171 minute

Release

2015-08-05

Quality

M4V 1440p
WEBrip

Category

Thriller

speech

English

castname

Ernesto
Q.
Leilan, Evah A. Gazel, Mosan J. Krupa





[HD] Watch The Invitation 2015 Movie LIVE Stream



Film kurz

Spent : $749,533,772

Income : $053,953,151

category : Toleranz - Identität , Verbotene Liebe - Neuseeland , Flucht - Preis , Fantasiepolitik - epidiktisch

Production Country : Laos

Production : Prod. GFP



This film was a very nice surprise for me. I didn't know much about the plot, which helped.
Right from the start you are increasingly presented with atmospheric stimuli that help to increase the overall tension for the story. The photography and the sounds and the acting might seem off putting for some, but for me it all worked well together.
You start to **get** what is going on and to **think** you know what is going to happen, and they make you doubt yourself...
Very intense film that kept me very entertained and I highly recommend.
**Think carefully before attending your ex's party invite!**

My first impression was, not another 'The Perfect Host'. And it is not, but the same category. This is a comeback film for the director after the average 'Jennifer's Body' that released half a decade ago. Some people liked it, but for me it was an average film, because I've seen the better one. Still, I appreciate the effort, like handling the narration. You know these days viewers are bit clever, they begin to predict from the early stage, so this story quite interestingly upheld the suspense.

Till the final act it keeps developing, not the story or the characters wisely, but the event where the plot evolves. A at a same time it leaves behind some clues about what might come later. That part is very confusing, I did not know what to believe and what not. Because I don't want to be a fool when twist happens. This was a lot dramatised and when the crucial event comes into play, the pace increased. The first 80 per cent of the film was what I enjoyed, but the twist ruined my party and then the final scene was so smart. The best way to conclude for such a thriller.

There are none tense moments, except in the final segment, but the curiosity of the event's states gets higher like particularly everybody is waiting for the twist to come. That's where some people would be disappointed. If you are not expecting too much, you would enjoy the remaining part as well. There's nothing to praise about the actors, all were just good. The script should have been a bit smarter in some parts. For one time watch it will do fine, that's what I favour.

_6/10_

The Dictator 2012 Movie LIVE Stream

Watch The Dictator 2012 Movie LIVE Stream The Dictator 2012Movie LIVE Stream-book-AAF-Bluray-HD Free Online-sa-2012-englisch-DTS-4k Blu Ray...