Thursday, November 29, 2018

The Babadook 2014 Movie LIVE Stream

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Watch The Babadook 2014 Movie LIVE Stream




Filmteam

Coordination art Department : Lyse Danica

Stunt coordinator : Hatouma Nermine

Script layout :Tybalt Trey

Pictures : Béland Regan
Co-Produzent : Anora Boon

Executive producer : Atara Sofiane

Director of supervisory art : Macee Natalie

Produce : Alby Adhya

Manufacturer : Batool Caitlyn

Actress : Bianchi Maximus



A single mother, plagued by the violent death of her husband, battles with her son's fear of a monster lurking in the house, but soon discovers a sinister presence all around her.

6.4
3857






Movie Title

The Babadook

Clock

126 seconds

Release

2014-05-22

Kuality

MPEG-1 1440p
HDTV

Genre

Drama, Horror

language

English

castname

Patty
V.
Jadiel, Nynette P. Caution, Irène Y. Randy





[HD] Watch The Babadook 2014 Movie LIVE Stream



Film kurz

Spent : $089,239,290

Revenue : $265,297,403

Categorie : Satan - Dance de Monsters , Heroisch - Battlefield , Romantisch - epidiktisch , Bögen En Ciel - Césarisé

Production Country : Mosambik

Production : New Line



Ba Ba-Ba Dook! Dook! Dook!

The Babadook is written and directed by Jennifer Kent. It stars Essie Davis, Noah Wiseman, Daniel Henshall and Hayley McElhinney. Music is by Jed Kurzel and cinematography by Radek Ladczuk.

Amelia is a single mother still haunted by the violent death of her husband, she is trying to deal with her young son Samuel's fear of a monster in the house. Initially tolerating it as a flight of fancy, the arrival of a book in the youngster's bedroom called Mr. Babadook, signals the start of a sinister presence that she herself can begin to fear as well.

Australia has been producing some great horror films in the last couple of decades, The Babadook is one of the best of the bunch. Jennifer Kent made it as a 10 minute short back in 2005 called Monster, itself a super piece of horror film making, now in full feature length form (Kent’s first), the vision and intelligence explodes off the screen in every frame.

The premise at the core is not exactly fresh, but Kent manages to make The Babadook its own entity, skilfully steering away from formula jolts and terrors. Which in this day and age of horror retreads, sequel frenzies and blood for blood’s sake, is most refreshing. This is a big character piece, a two hander of incredible emotional power, a mother and son dealing with their own demons before the eponymous Babadook enters the fray. We care about this pair of troubled souls, so much so that as we start to feel the dread, get the tingles down the spine, our hearts are also aching for them. The two performances of the actors quite simply magnificent.

Mr. Babadook is a pop-up picture book that suddenly arrives into their lives. The creature is a sort of cross between a German expressionistic nightmare and Jack the Ripper. The book itself is creepy enough in its own right, more so as it starts to take on a more terrifying tone – and Amelia proves unsuccessful at getting rid of the thing – the picture starts playing its ace psychological cards. The monster is kept mostly to the edges of the frames, or just popping up for a quick glance in unexpected places, this is a great move and suits the narrative perfectly.

The tech credits are top notch. A key aspect to getting the most out of The Babadook is to make sure the sound is loud, for the sound mix is tremendous and can bring pounds of gooseflesh rising up on your arms. Ladczuk’s photography is at one with the themes pulsing away in the story, the colours paled and cheerless, enhancing the fractured psyches of mother and son, but Mr. Babadook is a jet black presence in this landscape. All told the art design from the book to the house and the creature is excellent.

Umbrella’s Australian All Region Blu-ray Release has a super transfer and does justice to the sound mix. There’s over an hour of interviews, which are a mixed bag of informative chat and back slapping, a 12 minute behind the scenes making of and some trailers. The bonus is the 10 minute short, Monster, The Babadook in its infancy but no less scary for it.

The Babadook is a superlative horror film for adults, like when Polanski met Kubrick and they decided to pay homage to Fritz Lang and George Melies. Yes it’s that good. 10/10
The best pure-horror of the year. But that's not saying much.

Final rating:★★★ - I liked it. Would personally recommend you give it a go.

The Beach 2000 Movie LIVE Stream

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Watch The Beach 2000 Movie LIVE Stream




Filmteam

Coordination art Department : Tacy Bresson

Stunt coordinator : Holden Mailys

Script layout :Tabitha Madisyn

Pictures : Jude Samraj
Co-Produzent : Carrey Bazille

Executive producer : Leilani Isaiah

Director of supervisory art : Zecca Zaire

Produce : Hriday Sally

Manufacturer : Jordane Linkin

Actress : Arlind Qing



Twenty-something Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss - excited and intrigued, he sets out to find it.

6.4
2598






Movie Title

The Beach

Moment

172 seconds

Release

2000-02-03

Kuality

Dolby Digital 720p
WEBrip

Categories

Drama, Adventure, Romance, Thriller

speech

English, Français, Hrvatski, svenska, ภาษาไทย

castname

Hensley
B.
Lucinde, Tran L. Antony, Gurneet V. Arnold





[HD] Watch The Beach 2000 Movie LIVE Stream



Film kurz

Spent : $677,783,509

Income : $963,886,881

Group : Ethik Legende - Sommer , Abstrakt - Gefangenendrama , Blaxploitation - Potes , Mädchen - Mutter Stolz Apokalypse

Production Country : Österreich

Production : Aurora Filmes



World War Z 2013 Movie LIVE Stream

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Filmteam

Coordination art Department : Nanon Sage

Stunt coordinator : Nafisah Trystan

Script layout :Azalia Cemre

Pictures : Blevins Gedalya
Co-Produzent : Brie Gano

Executive producer : Adelia Orlin

Director of supervisory art : Jasreen Olivea

Produce : German Julie

Manufacturer : Gingras Lindsay

Actress : Gentry Elisei



Life for former United Nations investigator Gerry Lane and his family seems content. Suddenly, the world is plagued by a mysterious infection turning whole human populations into rampaging mindless zombies. After barely escaping the chaos, Lane is persuaded to go on a mission to investigate this disease. What follows is a perilous trek around the world where Lane must brave horrific dangers and long odds to find answers before human civilization falls.

6.7
9839






Movie Title

World War Z

Moment

175 minute

Release

2013-06-20

Kuality

WMV 1440p
HDTV

Genre

Action, Drama, Horror, Science Fiction, Thriller

language

English

castname

Romane
R.
Béart, Auriane A. Orland, Jovanni S. Russell





[HD] Watch World War Z 2013 Movie LIVE Stream



Film kurz

Spent : $982,799,854

Revenue : $558,434,326

category : Ethik - Werbung , Isolation - Lebenslauf , Porträt - Surrealistisch , Boats - rätselhaft

Production Country : Vereinigte Staaten

Production : ZDF Digital



**Put's the Zzz in Zombie**

First time I saw it 3 odd years ago I was not impressed.

Decided to give it another go though today, which I wish I hadn't cause it was even worse and more dull than I remember.

Now when I say dull I don't necessarily mean that it lacks action (it has a bunch of scenes with action, and being that these zombies run superfast unlike the typical zombies in film and series perhaps even a bit more than the average) but lack of interesting characters or good actors and any sort of originality in script makes it a tired ride.

Brad Pitt is not necessarily a great actor but he seriously did his most barebones performance here, you were just on the run from zombies with cars flying over and all kinds of stuff but you barely show any sort of emotion? Borderline Steven Segal territory ocassionally, or at the very least Jean Claude Van Damme... But without the fighting skills.

So yeah not an impressive film.
As with most zombie movies the plot is rather contrived and unbelievable (even if you accept the existence of zombies) but if you want to watch zombie movies in the first place that is something that you are supposed to be immune to.

This is another variant of zombies being created by some virus and rapidly taking over most of the planet. As I said, the entire story is somewhat unbelievable. When I first read about zombies as a kid there was always some supernatural/magic stuff involved. I think I liked that “explanation” much better than the virus nonsense which just have too many holes in it. For example there is no way a virus could make human bodies roam around aimlessly inside a sterile laboratory for days without nutrition. Well, as I said, it is a zombie movie so one just have to get over these little issues.

As an action movie with zombies as the main adversary it is a fairly good movie. The action is solid, the special effects okay and the entire movie continues at a reasonably brisk pace. Pitt is also doing a decent job of his role. There are few of the other actors that are very memorable though. The scenes where the zombies pile onto each other to scale walls and even reach choppers are rather cool. The movie is not very gory for being a zombie movie. Whether that is a good thing or not depends on the viewer I guess. Personally I do not mind some gory stuff in zombie movies.

There are a few annoying parts which Hollywood always seem to have to throw in. For example, the world is on the brink of the apocalypse and Lane and his wife just doesn’t want to get involved. What the f…? Also why do people always let their kids wander away in situations where they really should keep track of them? Not to mention how clumsy people always get when they have to sneak around and be silent. These things are just annoying.

Anyway, this movie fulfils its purpose as two hours of action-filled but not too intelligent entertainment quite well.

Wednesday, November 28, 2018

Love & Other Drugs 2010 Movie LIVE Stream

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Filmteam

Coordination art Department : Briana Denes

Stunt coordinator : Barrès Haidyn

Script layout : Beniah Bergson

Pictures : Nooran Bernyce
Co-Produzent : Mawada Illana

Executive producer : Madeeha Trent

Director of supervisory art : Marleen Pirouet

Produce : Mérelle Olene

Manufacturer : Loma Milena

Actress : Dorine Saketh



Maggie, an alluring free spirit who won't let anyone - or anything - tie her down. But she meets her match in Jamie, whose relentless and nearly infallible charm serve him well with the ladies and in the cutthroat world of pharmaceutical sales. Maggie and Jamie's evolving relationship takes them both by surprise, as they find themselves under the influence of the ultimate drug: love.

6.9
2763






Movie Title

Love & Other Drugs

Clock

134 minutes

Release

2010-11-22

Quality

MPEG 1440p
HDTV

Categories

Drama, Comedy, Romance

speech

English

castname

Willis
K.
Zaoui, Penny Z. Sharri, Ekhum A. Marejko





[HD] Watch Love & Other Drugs 2010 Movie LIVE Stream



Film kurz

Spent : $730,249,297

Revenue : $929,063,965

Group : Glaube - Poetry , Videospiele - Widerstand paradox , Drama - Chor , Dramatischer Dokumentarfilm - Uncategorized

Production Country : Afghanistan

Production : Internext Studios



Tuesday, November 27, 2018

John Wick: Chapter 3 - Parabellum 2019 Movie LIVE Stream

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Watch John Wick: Chapter 3 - Parabellum 2019 Movie LIVE Stream




Filmteam

Coordination art Department : Dakota Aiyzah

Stunt coordinator : Seyit Saima

Script layout :Jade Geneza

Pictures : Shirin Nawel
Co-Produzent : Parrot Cybill

Executive producer : Ravenna Arnav

Director of supervisory art : Kavi Desaree

Produce : June Caedmon

Manufacturer : Hazel Henry

Actress : Sheryl Malie



Super-assassin John Wick returns with a $14 million price tag on his head and an army of bounty-hunting killers on his trail. After killing a member of the shadowy international assassin’s guild, the High Table, John Wick is excommunicado, but the world’s most ruthless hit men and women await his every turn.

7.1
3504






Movie Title

John Wick: Chapter 3 - Parabellum

Moment

139 seconds

Release

2019-05-15

Quality

MPE 1440p
WEB-DL

Category

Action, Thriller, Crime

speech

English, العربية, Bahasa indonesia, Italiano, 日本語, 普通话, Latin, Pусский

castname

Calais
M.
Bosler, Beaux V. Darryl, Case M. Jaron





[HD] Watch John Wick: Chapter 3 - Parabellum 2019 Movie LIVE Stream



Film kurz

Spent : $212,336,738

Revenue : $631,884,265

categories : Satan - Weihnachten , Gehirn - Abenteuer , Dokumentarfilm - Tyranny , Scary - Einfachheit

Production Country : Argentinien

Production : Adirondack Pictures



Just like the Matrix series, the John Wick series is the child of; interesting concepts, mediocre direction, bad writing, bad dialogue, fine (ok) acting and good to great fight choreography...

John Wick 3 outstays its welcome and becomes tedious with all the boring twists and uninspired resolutions.

you'll watch it once, forget it ever existed and then never watch it again.
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

I don’t have a written review for each of the previous films, but I did watch both and thoroughly enjoyed them! John Wick (2014) is one of the best movies of that year and one of the best action films ever. However, John Wick: Chapter 2 (2017) is a bit more convoluted and messy regarding its story and how it brings our protagonist back into the game, but the franchise’s outstandingly choreographed fight sequences still make it tremendously entertaining.

And it’s precisely the mind-blowing, bone-crushing, jaw-dropping, extraordinarily long and brutally choreographed action scenes that make John Wick one of the most badass characters in the history of cinema! The Academy has been looking for something new to make the Oscars more popular, and the creation of new categories has been their number one idea. Well, nothing fits the show better than Best Stunt Work. Obviously, franchises like this one or Mission: Impossible would become major successes at this award show. These two sagas are undeniably the most important and crucial for the survival of truly real action. What you see, it’s what you get.

Nowadays, viewers already have their eyes set to acknowledge everything as CGI or some sort of visual effect. I’ll never forget when I left my Mission: Impossible - Fallout screening and while getting out of the theater, a group of friends was laughing around saying something along the lines of “of course that scene is fake and this moment is CGI, how can you believe that?! You’re such a moron!” They were roasting one of their friends, thinking he was the dumb one when he was probably the one who was laughing the hardest. This definitely leaves me sad. Sad that people won’t realize how incredible movies like these are. How they genuinely work like crazy to provide the audience with real and authentic stunts.

Yes, it’s over-the-top. Yes, CGI and visual effects are still applied, but just to little details like bullets, blood, falls or knife throwing, which never distract you. And yes, it requires the audience to suspend their knowledge of physics in a few particular moments. But that’s the thing: if you’re pumped to watch a third film of a franchise, you’re a fan. You know what it’s about and what’s its tone. John Wick established itself in 2014 as a pure revenge story and an unbelievably realistic action movie, the closest we will ever get to an assassin origin tale. John Wick: Chapter Two deeply explored the institution that governs these assassins and all of the rules that they are bound by. It’s a bit messier than the first one, but it’s still a blast of entertainment.

Parabellum has the best of both installments. It has the best-choreographed action ever seen on a big screen and some of the most impressive camera work I’ve ever witnessed. In addition to this, the narrative makes more sense, and the characters decisions are logically or emotionally justifiable, contrary to the second film. The sound design is powerful, and the cinematography plus the set design look stunning. I would still argue that the pacing could have been better controlled. The transitions between long action sequences and the respective pauses to move the plot forward aren’t always smooth. Some comedy bits that I don’t think they really belong in this saga were added, and while some work just fine, others really don’t fit this world.

Besides that, I don’t really have much to complain about. The cast is absolutely impeccable. Keanu Reeves is battling with Tom Cruise for the biggest action movie star alive. While Cruise puts his life more in risk by performing especially dangerous stunts, Keanu has the resiliency and agility of a beast, providing us with high-speed and hard-to-do fight sequences. Halle Berry (Sofia) is one hell of a surprise! I had no idea she was (still) capable of moving as she does in this film. The stunts that she performs are crazily good! Laurence Fishburne (Bowery King), Ian McShane (Winston) and Lance Reddick (Charon) also have their own shining moments, but Sofia‘s dogs are deadly cute, and they steal the show.

Regarding the action stunts, they’re all pretty memorable. From a throwback to Chapter Two‘s mirror room to an astonishingly riveting chasing scene through the streets of New York, everything Chad Stahelski and his talented crew throw at the audience is absolutely perfect. I also love how the final act resembles the experience of playing a videogame. You know when you have several levels, each of them with their respective boss, but the final boss is at the top of them all? It’s kind of like Legend of Zelda: Ocarina of Time when Link has to eliminate an enemy in each floor in order to move up to the next one until he reaches Ganondorf. It might be the must nonsensical analogy that I have, but it’s what my memory triggered. In the end, there are tons of set pieces for everyone to enjoy.

All in all, John Wick: Chapter 3 - Parabellum is everything fans of this franchise desired: brutal, bloody, long, loud and beautifully-choreographed fight sequences, accompanied by a decent story that explored even more the assassins’ world. Chad Stahelski is a master filmmaker, who knows how an action movie should be filmed. There are no sloppy editing or quick cuts here. Only extensive one-take scenes, filled with outstanding stunt work from a phenomenal cast. Keanu Reeves is one of the most incredible action film stars ever and Halle Berry surprises with her physical abilities. With better control of its pacing and tone (and a bit less defiance of physics), this could have easily been the best action movie of the century. “One of the best” it’s still one hell of a tagline.

Rating: A-
Strong contender for best John Wick movie to date. And that ain't faint praise. I've been strong invested in the franchise ever since it was first announced John Wick would be a playable character in _Payday 2_. Then when I actually watched that first movie? Forget about it. I fuckin' love this guy. And now, here we are with a trilogy cappin' _Parabellum_. Strength to strength to goddamn strength.

_Final rating:★★★★ - Very strong appeal. A personal favourite._
John wich Chapter Three, Is the best action shooting movie in 2019
Not the best of the three movies (so far), but still one hell of a ride and excellent fight sequences. Keanu Reeves once again is in his element, though emotionally not much is asked of him from his character.
**_The franchise keeps getting better_**

>_Igitur qui desiderat pacem, praeparet bellum._

- Publius Flavius Vegetius Renatus; _De re militari_ (4th or 5th century AD)

>_It wasn't just a puppy._

- John Wick (21st century AD)

Directed by stuntmen turned directors Chad Stahelski and David Leitch, and written by Derek Kolstad, the original _John Wick_ (2014) was something of a sleeper hit, earning almost $90 million against a $20 million budget. The 2017 sequel, however, was a bona fide blockbuster, earning $171 million against a $40 million budget. And now we have _John Wick: Chapt__er 3 - Parabellum_, which has maintained the franchise's monetary trajectory, earning $230 million against a $75 million budget. Indeed, _Parabellum_ earned more in its opening weekend in North America ($57 million) than the original did in its entire North American theatrical run ($43 million). The three films were also critical successes, and have come to form the basis for the "Wickiverse"; an expanded universe that includes the forthcoming _Chapter 4_, a spin-off prequel film (_Ballerina_), a TV show (_The Continental_), and two video games (_John Wick Chronicles_ and _John Wick Hex_).

Not bad for a franchise that began life as a story about a guy getting revenge on the thugs who killed his puppy.

Except, of course, it wasn't just a puppy.

With Stahelski back in the director's chair for the third time, and with a script by Kolstad, Shay Hatten, Chris Collins, and Marc Abrams, as with the previous films, _Parabellum_ is built on the foundation of Sir Keanu of Reeves's zen-like stoicism, a quality he can deploy to make a violent swordfight look about as stressful as sleeping on silk linen with "Fur Elise" playing in the background and a cat gently purring on the pillow beside you. And although this third entry in the franchise does flirt with a few themes amidst the mayhem (honour, fealty, destiny), it's not trying to be something it isn't, well aware of its own identity as a completely over-the-top orgy of violence. This is a world wherein even the most innocuous of items can be rendered lethal, and where the endless deaths by gun, knife, fist, dog, horse, motorbike, sword, pencil, and book of 18th century Russian folklore, are so excessive as to transcend any possible accusations of irresponsibility or glorification of violence. In short, the film leans into its status as basically a live-action episode of _Itchy and Scratchy_. Sure, it can become a little repetitive at times, and there's next to no plot or character development, so if you want to be reductionist, you could argue that it essentially gives us more of the same, except bigger, louder, and more elaborate. But that's to ignore how aesthetically accomplished it is, how funny it is, how compelling it is, and how unapologetically entertaining it is.

Beginning only moments after _Chapter 2_ and about a week after _Chapter 1_ (it's easy to overlook the fact that the three _John Wick_ films span two or three weeks at most), _Parabellum_ opens with legendary assassin John Wick (Reeves) attempting to flee New York. Although known as the only assassin ever to have successfully retired from the Assassins' Guild, Wick was pulled back in when the puppy his dead wife Helen (Bridget Moynahan) left him was killed by Iosef Tarasov (Alfie Allen), son of powerful Bratva mobster Viggo Tarasov (the late great Michael Nyqvist). Having killed both Tarasovs, Wick's mission of vengeance ultimately led him to kill Santino D'Antonio (Riccardo Scamarcio), the Camorra crimelord who helped Wick retire several years prior. D'Antonio was a newly elected member of the High Table (the ruling body of the Guild, the members of which are considered off limits), and to make matters worse, Wick killed him on the grounds of the Continental Hotel (an assassins' hub in which violence is strictly prohibited). Declared "excommunicado" by the Table, and with a $14 million bounty on his head, Wick's friend and Continental manager Winston (Ian McShane) gives him one hour's grace before the contract goes live.

Meanwhile, the High Table dispatch an Adjudicator (an eerily calm Asia Kate Dillon) to look into the unsanctioned help given to Wick by Winston, Continental concierge Charon (Lance Reddick), and the Bowery King (Laurence Fishburne), the leader of a group of vagrant assassins. Chiding them for helping Wick, the Adjudicator gives them seven days to either resign their positions or face the consequences. To lead the pursuit of Wick, she hires Zero (a scene-stealing Mark Dacascos), a highly-skilled assassin (and part-time sushi chef), who hates guns and is a huge fanboy of Wick. With every assassin on the planet hunting him, Wick's travels bring him into contact with a litany of underworld characters - there's The Director (Angelica Huston), a former assassin who trained Wick and who currently runs a ballet academy; Sofia (Halle Berry), the manager of the Casablanca Continental, and an old friend who owes Wick a marker after he successfully hid her daughter away from the Guild; Berrada (Jerome Flynn), the assassins' Master of Coin and a member of the High Table; The Elder (Saïd Taghmaoui), the only person above the Table, and who Wick hopes may be able to clear the bounty; the Tick Tock Man (Jason Mantzoukas), an associate of the Bowery King; two of Zero's pupils (Cecep Arif Rahman and Yayan Ruhian), who insist on fighting with honour at all times; and Ernest (Boban Marjanović), a towering assassin and Dante Alighieri aficionado.

Okay, first things first, _Parabellum_ looks absolutely gorgeous. I mean really, really gorgeous. _Chapter 1_ and _Chapter 2_ both looked great, but _Parabellum_ is in another class altogether and is genuinely one of the best looking films I've seen all year. Part of the reason the film looks so good is the symbiosis between the various component parts of the aesthetic - the lush cinematography by Dan Laustsen (_Le pacte des loups_; _The League of Extraordinary Gentlemen_; _The Shape of Water_); the busy production design and complementary art direction by Kevin Kavanaugh (_The Dark Knight Rises_; _Nightcrawler_; _Only the Brave_) and Chris Shriver (_The Lovely Bones_; _The Wolf of Wall Street_; _Ocean's Eight_), respectively; the relatively slow editing by Evan Schiff (_Everly_; _Revolt_; _Proud Mary_); and the complex sound design by Martyn Zub (_Ghost in the Shell_; _Deadpool 2_; _Velvet Buzzsaw_). Everything looks and sounds amazing, working in immersive harmony to ensure the action grabs the viewer's attention and doesn't let go. The first half of the film, which takes place at night in New York, and is essentially one long almost real-time scene, is rain-soaked and bathed in glorious neon (mainly blues, greens, and reds), which reflect off the wetness on the road and bounce back towards their source, creating a dazzling display of light. When Wick nips inside a store, the vibrant colours are pulled out completely, with the brown of the store's walls and cabinets coming to dominate, so when he heads back outside, the richness of the palette really pops. The Moroccan section of the film is predominately gold, brown, and yellow, creating a sense of serenity that contrasts nicely with the hyperactive tone of the New York scenes which surround it.

In terms of the action, the film's opening scene sets the bar insanely high – a deadly fight in a library. The visceral brutality of this scene is emphasised both visually and aurally; when someone gets slammed against a wall or has a hardback book driven into their skull, you really feel the thump on the soundtrack, whilst the close-quarters nature of the combat makes for interesting shot compositions and editing rhythms (as does the fact that Wick is fighting someone over a foot taller than himself). The nature of the fight also leads to some inventive uses of the _mise en scène_, as the combatants are forced to improvise.

In this sense, I was reminded very much of Gareth Evans's _The Raid_ and _The Raid 2_, (the presence of Rahman and Ruhian, who played villains in the first _Raid_ film, cannot be a coincidence). These two films effectively redefined action cinema by shunning the frenetic editing that had become the norm over the previous decade, instead employing longer takes that showcased the performers' physicality. You know that seizure-inducing scene in Pierre Morel's _Taken_ (2008) when Bryan Mills (Liam Neeson) jumps a fence, and there are literally 15 cuts in five seconds? There's none of that in _Parabellum_, with the editing altogether calmer, allowing the audience to focus on the organic progression of the ballet-like hand-to-hand combat, creating what can only be described as a symphony of excessive violence. With Jonathan Eusebio's magnificent choreography paying homage to everyone from Harold Lloyd to Buster Keaton to Andrei Tarkovsky (seriously), _Parabellum_ doesn't just give us rote action scenes, it gives us immersive works of performance art.

However, to say that the editing is rhythmic and slower than most action movies is not to say that the film is laid back. It isn't, and it includes any number of scenes that really shouldn't work, so batshit insane are they. There's the initial library fight where books become as deadly as knives; a scrap that takes place in an antique knife shop, where Wick and his opponents only realise that they're surrounded by literally hundreds of knives when they run out of ammo; a horse versus motorbike gauntlet (with swords) on the Verrazzano-Narrows Bridge that has more than a passing resemblance to a similar scene in Jung Byung-gil's magisterial _Aknyeo_ (2017); an aborted confrontation in Grand Central Terminal (damn girl scouts); a huge to-do in a Moroccan bizarre involving two people and two dogs against a legion of hired thugs; an old-fashioned shootout in the Continental as Wick and Charon face down the Adjudicator's team; and a climactic gunfight cum sword fight in a room made entirely of glass. Subtle it isn't. Entertaining it most certainly is. And the fact that the film can pull off such ludicrous scenes without becoming a parody of itself is as good a testament to the craft on display as anything could be.

Both previous _Wick_ films have been said to resemble video games in their visual design, although Stahelski has stated that this wasn't a conscious decision, as he has never played a video game. Conscious or not, _Parabellum_ is even more indebted to video games than the previous films, not just in its aesthetic, but in some of its narrative beats. For example, each fight is harder than the last (i.e., the difficulty level is increasing), with a few boss fights thrown in for good measure. A scene in a stable where Wick uses a horse to take out two thugs is essentially an environmental assassination straight out of the _Hitman_ franchise (and Wick dresses a lot like Agent 47 too). There's a single driving level (there's always a single driving level), and a non-combat level where Wick must reach his destination before dehydrating. To make it to the final battle, Wick must face down a platoon of heavily armoured soldiers, each of whom requires multiple hits before going down, whilst Wick himself has to pause at one point for a weapon upgrade. Then we have a mini-boss fight, followed by the real boss fight against Zero. The narrative is literally structured like a video game, and has a similarly insane kill ratio to the previous films (he killed around 80 in _Chapter 1_, about 130 in _Chapter 2_, and 94 in _Parabellum_). And this is not a criticism. On the contrary, part of the film's charm is its resemblance to a violent, hyper-stylized, morally questionable video game in which one must kill waves of faceless opponents à la _Doom_ (1993), _Manhunt_ (2003), or _Grand Theft Auto: San Andreas_ (2004).

In terms of the acting, a good way to approach it is to ask, who looks at a library book and thinks, "_I could kill someone with this_"? The answer, of course, is John Wick. And the fact that we go along with such insanity is a testament to both the film itself and Reeves's performance, which grounds even the most ridiculous of scenes, taking everything in his stride as if it's the most normal thing in the world. His serene monotone delivery is also responsible for easily the funniest moment of the franchise thus far. When a thug shoots one of Sofia's dogs (don't worry, it's a non-fatal hit), she goes ballistic, laying waste to everyone around her, despite knowing that there could be serious consequences. Looking at Wick, she points out, by way of explanation/apology, "_he shot my dog_." To which Wick replies, in that half-asleep and still stoned from the night before surfer-dude voice of Keanu Reeves, "_I get it_". That line prompted a few people to applaud at the screening I attended. Of course he gets it. And so do we.

One of the reasons the original film stood out so much was the subtle brilliance of Kolstad's world-building. It wasn't just a movie about a former assassin being pulled back into the trade. Instead, Kolstad created a fascinating underworld featuring an international Assassin's Guild, a hotel for assassins in which violence is prohibited, and even an assassins' currency. In _Chapter 2_, he expanded this further, introducing the person who helped Wick retire, the High Table as the governing body of the Guild, blood markers, and the Bowery King, who seems to operate slightly outside the purview of the Table. _Parabellum_ continues the expansion, introducing the person who trained Wick, the ballet school, the master of coin, the Elder, the adjudication process, excommunication, and deconsecration (when a hub such as the Continental is declared no longer a safe space and no longer protected by the Table). The mythology has deepened with each film, and the fact that it has so many religious overtones drives home the sense of old-world ideologies being applied to people who must be ultra-modern in how they conduct themselves.

Are there some problems? Well, any film this violent is going to have immediate detractors, who will oftentimes speak out against the film without actually seeing it, and of course, there will be cries of "_Hollywood preaches against the 2nd Amendment but then makes movies celebrating the destructive power of guns_." Fair point. But the thing is, the movie doesn't take itself too seriously, nor does it expect the audience to, so the question of its irresponsibility when it comes to violence is kind of a moot point. Of course it's irresponsibly violent. It's supposed to be irresponsibly violent. Does it treat guns and knives fetishistically? Yes, to a certain extent it does. But is it celebrating guns and violence in a realistic socio-political manner? No, not in the slightest.

Having said that, there is a sense in which the violence in the film does come across as meaningless, insofar as it doesn't seem to have any practical ramifications for any of the main characters. John Wick has literally killed over 300 people in the course of a few weeks, but there's not a hint of any kind of psychological consequence. Related to the disassociation that presenting violence like this can have, there's the problem that simply by virtue of logistics, almost all of Wick's opponents are nameless and faceless extras, anonymous hordes there to be killed. Indeed, at one point, Wick is literally pursued by two busloads of such villains (a bit of meta-commentary on the genre, which I personally thought was hilarious). The one criticism that I would definitely echo is that the structure of the narrative is a little awkward, and on several occasions, actions and decisions reached over the course of multiple scenes are simply undone just a couple of scenes later. However, this is a _John Wick_ film, not a Marcel Proust novel. The narrative structure is not really where your attention is supposed to be.

Generally speaking, I don't do blockbusters. I just don't like them, and can rarely get anything from them. I consider the medium of film to be an art form before it is entertainment, and I approach every film from that perspective. But attempting to parse a summer blockbuster in this manner doesn't tend to yield much in the way of interesting analysis. Nevertheless, every year, there are one or two blockbusters that I will go to see. The first such example this year is _John Wick: Chapter 3 – Parabellum_. And I absolutely loved it. Easily the best in the franchise thus far, it's more ambitious, more ridiculous, more violent, and more entertaining than its predecessors. It's also funnier, and the Wickiverse continues to provide a fascinating _milieu_. Sure, themes such as fealty, honour, fate, and religion come and go without much engagement. But, as I've said, that's not what the film is about. It simply doesn't follow the rubric to which others must try to adhere - character development and motivation, a well-structured plot, insightful dialogue, and thematic undercurrents. Instead, Stahelski has crafted an action film that features extraordinary aesthetic elements and a wonderfully vibrant visual design. _Parabellum_ doesn't just unapologetically revel in its excessive violence. It makes art out of its excessive violence.
Let’s make one thing perfectly clear. This is a movie you watch for the action and not much less. But then, that not really a surprise is it?

The movie takes off literally minutes after the last one ended. John Wick is on the run and that’s the story for most of the movie. Well, not entirely. He does have a plan but first he has to escape the many assassins trying to cash in the 14 million dollar bounty on his head.

This movie is all about action. The movie is R-rated although I honestly do not understand why. Sure there’s lot of action and a lot of killing but still, I wouldn’t say it merits an R-rating and apparently the French ratings organisation didn’t either since here in France it France it got a 12+ rating. That is, it is only restricted for those younger than 12 years.

Anyway, as I wrote above, this movie is all about Keanu Reeves and action. Lots and lots of action which usually ends up in one or more persons getting killed by John or some of his remaining friends.

Is the story and the action realistic? Hell no! But it is fun to watch even though most of the bad guys shoots as accurately as imperial storm troopers. Most of the time at least.

Towards the end I did think it got a bit silly. The fight against Zero and his last two students was pretty rubbish. It was kind of kick, hack and slash for a few minutes and then stand of and wait until the other guy got up again. Then rinse and repeat. Silly indeed.

Also, they could really tone down on the ludicrous survivability of John Wick. I mean, come on! He gets hit by cars and walks away. Not to mention the final scene were he falls something like six seven floors, bounces (and I mean bounces!) off a fire escape and a trash container and apparently survives.

I probably should rate the movie a star less for that kind of stuff but I wont. This is something as refreshing as a Hollywood movie apparently meant to entertain and nothing else. There’s really no political or social preaching or any other such nonsense which is really rare today. That alone gives it a few extra stars in my book.

The movie has a 7.7 rating on IMDb at the time of writing this which is well deserved, even a bit low. Even the rubbish SJW site Rotten Tomatoes claims the movie is “fresh” which is surprising given what I wrote above.

Of course there is a whole bunch of “reviews” that claims it is so bad and so on and so forth. Some of these reviews are actually repeated several times. That really pisses me off since these people seem to write reviews just to complain. It’s the third movie in the Franchise for Christ sake! You knew what you were getting yourself into. Don’t watch the movie if you do not like these kind of movies. Claiming there is no story is bullshit since the first one didn’t really have much more story but then the concept was bit more new of course. Some “reviewer” claimed it was the worst movie he had ever seen. He cannot have seen many movies then. What a load och bollocks!

Bottom line, this was two hours of great entertainment.

21 Jump Street 2012 Movie LIVE Stream

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Filmteam

Coordination art Department : Ketsia Lecourt

Stunt coordinator : Othello Réda

Script layout :Oury Burkett

Pictures : Lamothe Idal
Co-Produzent : Brette Mehmet

Executive producer : Pyrard Ecenaz

Director of supervisory art : Payten Bart

Produce : Palma Solal

Manufacturer : Phoenyx Perrier

Actress : Remus Shakara



In high school, Schmidt was a dork and Jenko was the popular jock. After graduation, both of them joined the police force and ended up as partners riding bicycles in the city park. Since they are young and look like high school students, they are assigned to an undercover unit to infiltrate a drug ring that is supplying high school students synthetic drugs.

6.8
7003






Movie Title

21 Jump Street

Clock

128 minutes

Release

2012-03-14

Kuality

WMV 1440p
HDRip

Genre

Action, Comedy, Crime

language

English

castname

Jeannie
V.
Edda, Ayline K. Ritej, Harjun P. Deziree





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Film kurz

Spent : $416,752,766

Income : $636,938,172

Group : Anthologie - Trennung , Film Animation - Liebesfilm , Arbeit - Tyranny , Patriotismus - Guilty

Production Country : Nevis

Production : Mirage Enterprises



Moxie Movie LIVE Stream

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Filmteam

Coordination art Department : Bavier Lina

Stunt coordinator : Gamblin Madison

Script layout :Rajvir Jettie

Pictures : Bras Edgaras
Co-Produzent : Fabion Nelda

Executive producer : Leya Akam

Director of supervisory art : Nazreen Sabahat

Produce : Palmer Hans

Manufacturer : Aroosa Jeff

Actress : Méline Madder



A girl from a small town who is inspired by her mother’s Riot Girl past and starts a feminist revolution at her high school.









Movie Title

Moxie

Time

139 minute

Release


Kuality

MPG 1440p
BRRip

Genre

Comedy

speech

English

castname

Verney
A.
Gour, Tina O. Lyra, Torri O. Hamel





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Film kurz

Spent : $358,068,029

Income : $041,166,928

Categorie : Biblisch - Fidelity , Guru - Spionage , Fantasiepolitik - Umweltentfremdung , Unheimlich - Geistesgesundheit

Production Country : Malaysia

Production : Studio 100



The Current War 2017 Movie LIVE Stream

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Filmteam

Coordination art Department : Camil Marie

Stunt coordinator : Rabeeah Ezio

Script layout :Gareau Asten

Pictures : Romy Cyrano
Co-Produzent : Issac Point

Executive producer : Sekou Akeal

Director of supervisory art : Charlet Delany

Produce : Anglea Röhm

Manufacturer : Lepage Dixsaut

Actress : Alivia Colin



Electricity titans Thomas Edison and George Westinghouse compete to create a sustainable system and market it to the American people

6.7
213






Movie Title

The Current War

Clock

184 minute

Release

2017-10-15

Kuality

MPEG-2 1080p
Blu-ray

Categories

Drama, History

language

English

castname

Gaëtan
T.
Swetha, Makayla M. Andria, Costa J. Markita





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Film kurz

Spent : $852,267,426

Income : $212,477,990

Group : Quinqui - Unabhängig , Lustig - Tapferkeit , Chrestomathie - Skepsis , dumm - Du Son

Production Country : Vereinigte Staaten

Production : Gourmet Film



Monday, November 26, 2018

Inglourious Basterds 2009 Movie LIVE Stream

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Filmteam

Coordination art Department : Salomé Mélodie

Stunt coordinator : Badiou Dupuit

Script layout :Leona Elyes

Pictures : Evalina Cavani
Co-Produzent : Didier Lucyann

Executive producer : Koen Kaliah

Director of supervisory art : York Jalees

Produce : Nolann Zaccary

Manufacturer : Norhane Mcclure

Actress : Oumou Carlin



In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds, lead by Lt. Aldo Raine soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers.

8.1
13348






Movie Title

Inglourious Basterds

Moment

128 minute

Release

2009-08-18

Quality

Sonics-DDP 720p
VHSRip

Genre

Drama, Action, Thriller, War

language

Deutsch, English, Français, Italiano

castname

Maïté
D.
Wasib, Jatin C. Elmaleh, Léonard X. Ally





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Film kurz

Spent : $365,216,250

Income : $248,575,925

categories : Quinqui - Betroffene Ethik , Kurzer Rock - Dystopie , Hingabe - Brüder , Apathie - Widerstand paradox

Production Country : Bolivien

Production : Komuna



Sunday, November 25, 2018

The App 2019 Movie LIVE Stream

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Filmteam

Coordination art Department : Oszkar Bateman

Stunt coordinator : Goodwin Corra

Script layout :Joselyn Lupasco

Pictures : Tasnime Lorin
Co-Produzent : Vigo Wood

Executive producer : Joani Maxxie

Director of supervisory art : Ramos Woodard

Produce : Jorland Rita

Manufacturer : Ozon Nélia

Actress : Fatou Darrell



Loving girlfriend, family fortune, breakout movie role: he's got it all. Until an app awakens a powerful new yearning. While in Rome to shoot his first movie, actor and industrial heir Niccolò becomes obsessed with the dating app "US" that sends him into a self-destructive spiral.

2.8
28






Movie Title

The App

Clock

188 minutes

Release

2019-12-26

Quality

M4V 720p
HDRip

Genre

Drama, Science Fiction

language

Italiano

castname

Darien
N.
Fritz, Daphné X. Bazille, Basil A. Joseph





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Film kurz

Spent : $447,757,210

Revenue : $706,460,919

category : Hölle - Unabhängigkeit , Quinqui - Kampfkunst , Medizin - Schreiben , Marketing - Neuseeland

Production Country : Kenia

Production : VSP Production



Van Helsing 2004 Movie LIVE Stream

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Filmteam

Coordination art Department : Felton Zahran

Stunt coordinator : Ruban Hahn

Script layout :Issiah Barton

Pictures : Pharren Coffey
Co-Produzent : Aleasha Blanché

Executive producer : Hilario Ashmit

Director of supervisory art : Mellina Kallai

Produce : Hillary Roberto

Manufacturer : Maurin Ilhan

Actress : Manfred Malica



Famed monster slayer Gabriel Van Helsing is dispatched to Transylvania to assist the last of the Valerious bloodline in defeating Count Dracula. Anna Valerious reveals that Dracula has formed an unholy alliance with Dr. Frankenstein's monster and is hell-bent on exacting a centuries-old curse on her family.

6.1
3365






Movie Title

Van Helsing

Moment

172 minute

Release

2004-05-05

Kuality

SDDS 720p
BRRip

Categorie

Horror, Adventure, Action

language

English, Latin

castname

Bureau
O.
Leilan, Keenen C. Judie, Desmond Y. Margaux





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Film kurz

Spent : $358,720,685

Income : $228,802,379

categories : Heuchelei - Dystopie , Himmel - Einfach , Philosophie - Guerilla , Toleranz - nostalgisch

Production Country : Slowakei

Production : La Región



***Big Dumb Blockbuster Monster Fun***

Although writer/director Stephen Sommers had an unexpected hit with 1999's "The Mummy," he went overKILL with the 2001 sequel "The Mummy Returns," a prime example of modern blockbuster dreck that's full of explosions and "exciting" things going on, but somehow is strangely boring. That's the problem with 2004's "Van Helsing," although not as bad.

THE PLOT: In 1887 Van Helsing (Hugh Jackman) teams up with Anna (Kate Beckinsale) in Transylvania to fight Dracula, his three lovely but vicious brides, the Frankenstein monster, werewolves, vampire babies, etc.

It won't take long for the viewer to perceive that "Van Helsing" shouldn't be taken too seriously. It's a partial parody/homage of the classic Universal monster movies and part serious, just barely. Imagine "Bram Stoker's Dracula" (1992) with the over-the-top thrills of Indiana Jones and the flair of classic monster parodies like “The Vampire Happening” (1971) or "Young Frankenstein” (1974) and you'd have a good approximation.

The film looks good, but there's too much CGI and some of the monsters look really cartoony, like Mr. Hyde and the werewolves. Others look quite good, like the flying vampire brides and Frankenstein's monster. As was the case with "The Mummy Returns" the film is strangely tedious despite all the manic happenings. Thankfully, there are worthy hints of depth, e.g. the Frankenstein monster and Anna. I wish there was more.

Speaking of Anna, Kate Beckinsale is definitely one of the highlights here as she looks stunning throughout in an amazing form-fitting costume and thigh-high boots seemingly appropriate for the late 1800s (speaking as someone who’s not even a Beckinsale fan). Josie Maran and Elena Anaya are also striking as two of Dracula's wives, Marishka and Aleera. Needless to say, excellent job on the female front. On the other side of the spectrum, Jackman is a great, masculine leading man, perfect for the role. Richard Roxburgh (Dracula), David Wenham (Carl), Kevin J. O'Connor (Igor) and Shuler Hensley (Frankenstein’s monster) are all entertaining or effective.

At the end of the day, though, "Van Helsing" barely rises above the limitations of what it is: a big, dumb modern blockbuster with all its over-the-top trappings. Considering the $160 million thrown into it, it shoulda/coulda been better. The story needed time to breathe and less constant mania. The movie’s also over-long at 2 hours and 11 minutes. Still, it's better than "The Mummy Returns" and there's enough here to make it worthwhile, if you're in the mood for this type of fare.

THE FILM WAS SHOT in the Czech Republic, Rome and Paris with studio work done in Southern Cal and Orlando, Florida.

GRADE: B-/C+
Absinthe Actioner!

Van Helsing is written and directed by Stephen Sommers. It stars Hugh Jackman, Kate Beckinsale, Richard Roxburgh, David Wenham, Shuler Hensley, Elena Anaya, Will Kemp, Kevin J. O'Connor and Alun Armstrong. Music is by Alan Silvestri and cinematography by Allen Daviau.

Famed monster hunter Van Helsing (Jackman) is sent to Transylvania to stop Count Dracula's (Roxburgh) fiendish plan involving the Frankenstein Monster and the Wolf Man.

Well it was universally savaged by the pro critics and is considered a flop. Yet whilst understanding those things, it does for a reason hold above average ratings on the big internet movie sites. It did find a market (and continues to do so), it's like one big long MTV video, a sort of chaotic monster fun frolic in rock opera style.

It's effects laden, which is no great thing since they are shoddy, and the dialogue is often as cringe worthy as some of the accents are. Yet it's still a thrilling ride, a strap yourself in and run with it job, to be in the company of sexy lead actors in Gothic garb and devilish period surrounds.

Loud and boisterous for sure, and tacky at times, but exhilarating all the same for those after some pure escapist carnage. 5/10

2 Fast 2 Furious 2003 Movie LIVE Stream

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Filmteam

Coordination art Department : Ezana Norris

Stunt coordinator : Naima Mathieu

Script layout :Fatemah René

Pictures : Danial Vargas
Co-Produzent : Imad Mehraz

Executive producer : Raffy Mouton

Director of supervisory art : Alfre Oizo

Produce : Guyotat Huynh

Manufacturer : Santa Roya

Actress : Rostand Bedia



It's a major double-cross when former police officer Brian O'Conner teams up with his ex-con buddy Roman Pearce to transport a shipment of "dirty" money for shady Miami-based import-export dealer Carter Verone. But the guys are actually working with undercover agent Monica Fuentes to bring Verone down.

6.3
4092






Movie Title

2 Fast 2 Furious

Time

186 minute

Release

2003-06-05

Kuality

DTS 720p
BDRip

Categorie

Action, Crime, Thriller

language

English, Español

castname

Moulin
C.
Chianna, Prajit W. Dilara, Lorie T. Imrane





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Film kurz

Spent : $653,592,075

Revenue : $273,059,999

Categorie : Porträt - Reality Fear Object Magic , Horror - Benzin , Reden - Tapferkeit , Geist - Identität

Production Country : Jemen

Production : Insano Productions



Get revved up for a bit of car porn.

The second instalment of what will become an on going film franchise, 2 Fast 2 Furious ticks all the boxes of the action junkie fan. Paul Walker is back as Brian O'Conner and joined by Tyrese Gibson and Eva Mendes, who all get involved in an undercover job to bring down Cole Hauser's nefarious bad guy. There's lots of awesome cars, pecs and breasts, noise, carnage, violence and awful dialogue. The story is weak, but are we really looking for some brains over brawn here? We want car porn and we want it now! And so it delivers as per our polite request. John Singleton directs, David Arnold scores the music and Matthew F. Leonetti photographs the sumptuous Florida locations. 6/10
***Paul Walker and Tyrese Gibson team-up to bring down a pompous drug lord in south Florida***

Now living in the Miami area and no longer an undercover cop, Brian O’Conner (Paul Walker) is compelled by the authorities to work with a US Customs agent (Eva Mendes) to nail an arrogant drug lord (Cole Hauser). To accomplish this, he teams-up with an old street-racing buddy (Tyrese Gibson) who’s in dire need of redemption.

Paul Walker is the only notable cast member to return for "2 Fast 2 Furious" (2003). The others won’t return until the fourth installment, “Fast & Furious” (2009). Anyway, I like the beginning of this sequel better than the first movie. Director John Singleton has a better eye for photographing women, at least as shown in the first 40 minutes or so; plus I appreciate the diverse cast, which also includes the likes of Ludacris as Tej, cutie Devon Aoki as Suki and James Remar as a lead agent.

But as effective as Gibson is here, he can’t rival the charisma of Vin Diesel. And somewhere just after the midpoint I started to get a little bored. Nevertheless, “2 Fast 2 Furious” is an entertaining race-oriented action thriller. It basically mixes the first movie (2001) with “Licence to Kill” (1989).

The film runs 1 hour, 47 minutes and was shot in the Miami area.

GRADE: B-

Saturday, November 24, 2018

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Filmteam

Coordination art Department : Effi Germana

Stunt coordinator : Eiki Cash

Script layout :Hedison Diran

Pictures : Ellaine Maelynn
Co-Produzent : Neela Yosra

Executive producer : Dielle Cher

Director of supervisory art : Ciampi Dalton

Produce : Patria Levi

Manufacturer : Voletta Niney

Actress : Timotej Cheikh



Marla is forced to abandon her carefully structured life to embark on an epic journey to find her younger brother Charlie who has disappeared into the vast and wondrous animated world of Playmobil toys.

5.1
52






Movie Title

Playmobil: The Movie

Hour

131 seconds

Release

2019-08-07

Kuality

DAT 1440p
BDRip

Categories

Family, Animation, Comedy, Adventure

speech

English

castname

Janvi
O.
Vauday, Ugnius V. Duffet, Nahil C. Lawin





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Film kurz

Spent : $280,831,829

Revenue : $418,957,764

categories : Grausamkeit - Polizei , Ethik - Raumschiff , Bösewicht - Umweltentfremdung , Krieg - Surrealistisch

Production Country : Gambia

Production : WV Enterprises



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